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Andrew J Schofield

Publications and source records attributed to Andrew J Schofield.

7 recordsLinked to original sources

Local luminance amplitude modulates the interpretation of shape-from-shading in textured surfaces.

The pattern of illumination on an undulating surface can be used to infer its 3-D form (shape-from-shading). But the recovery of shape would be invalid if the luminance changes actually arose from changes in reflectance. So how does vision distinguish variation in illumination from variation in reflectance to avoid illusory depth? When a corrugated surface is painted with an albedo texture, the variation in local mean luminance (LM) due to shading is accompanied by a similar modulation in local luminance amplitude (AM). This is not so for reflectance variation, nor for roughly textured surfaces. We used depth mapping and paired comparison methods to show that modulations of local luminance amplitude play a role in the interpretation of shape-from-shading. The shape-from-shading percept was enhanced when LM and AM co-varied (in-phase) and was disrupted when they were out of phase or (to a lesser degree) when AM was absent. The perceptual differences between cue types (in-phase vs out-of-phase) were enhanced when the two cues were present at different orientations within a single image. Our results suggest that when LM and AM co-vary (in-phase) this indicates that the source of variation is illumination (caused by undulations of the surface), rather than surface reflectance. Hence, the congruence of LM and AM is a cue that supports a shape-from-shading interpretation.

Contrast Sensitivity↗

Oscillatory motion induces change blindness.

Change blindness is the relative inability of normally sighted observers to detect large changes in scenes when the low-level signals associated with those changes are either masked or of extremely low magnitude. Change detection can be inhibited by saccadic eye movements, artificial saccades or blinks, and 'mud splashes'. We now show that change detection is also inhibited by whole image motion in the form of sinusoidal oscillations. The degree of disruption depends upon the frequency of oscillation, which at 3 Hz is equivalent to that produced by artificial blinks. Image motion causes the retinal image to be blurred and this is known to affect object recognition. However, our results are inconsistent with good change detection followed by a delay due to poor recognition of the changing object. Oscillatory motion can induce eye movements that potentially mask or inhibit the low-level signals related to changes in the scene, but we show that eye movements promote rather than inhibit change detection when the image is moving.

Adolescent↗

Quantum criticality.

As we mark the centenary of Albert Einstein's seminal contribution to both quantum mechanics and special relativity, we approach another anniversary--that of Einstein's foundation of the quantum theory of solids. But 100 years on, the same experimental measurement that puzzled Einstein and his contemporaries is forcing us to question our understanding of how quantum matter transforms at ultra-low temperatures.

Journal Article↗

Interactions between orientation and contrast modulations suggest limited cross-cue linkage.

Recent studies of texture segmentation and second-order vision have proposed very similar models for the detection of orientation modulation and contrast modulation (OM and CM). From the similarity of the models it is tempting to assume that the two cues might be processed by a single generalised texture mechanism; however, recent results (Kingdom et al, 2003 Visual Neuroscience 2 65-76) have suggested that these cues are detected independently, or at least in a mechanism that is able to maintain an apparent independence between the cues. We tested new combinations of OM and CM and found that CM at 0.4 cycle deg(-1) facilitates the detection of OM at 0.2 cycle deg(-1) when the peaks of contrast align with the extremes of orientation. There is also some evidence of weak facilitation of CM by OM under the same conditions. Further, this facilitation can be predicted by filter--rectify--filter channels optimised for the detection of each cue, adding weight to the argument that texture cues are processed in a single generalised mechanism that nonetheless achieves cue independence or near-independence in many circumstances. We also found that the amount of suprathreshold masking produced by an orientation cue depends on the overall percept formed by that cue.

Computational Biology↗

Transfer of tilt after-effects between second-order cues.

Second-order cues are visual stimuli that are detectable by human observers, without eliciting a peak in Fourier energy that corresponds to their perceptual properties. The most commonly studied exemplars of second-order cues are those defined by modulation of local contrast (CM). It is widely accepted that such cues are initially detected separately from first-order, luminance modulated (LM), cues. However, after-effects have been shown to transfer between first- and second-order cues (LM and CM, respectively). This suggests the existence of a late link in the mechanisms that subserve their processing. To extend the investigation of the mechanisms for processing second-order cues we consider cues defined by modulations in local orientation (OM). Using a tilt-after-effect (TAE) paradigm, we found partial transfer of adaptation between LM and OM cues, confirming the presence of a link between first and second-order cues. Furthermore, we found a partial transfer of TAE between OM and CM cues. These results suggest that, at or before the site of adaptation, information from all visual cues is combined. However, as transfer of adaptation is below 100% in all cases, this is only a partial integration of information.

Adaptation, Ocular↗

Sensitivity to contrast modulation: the spatial frequency dependence of second-order vision.

We consider the overall shape of the second-order modulation sensitivity function (MSF). Because second-order modulations of local contrast or orientation require a carrier signal, it is necessary to evaluate modulation sensitivity against a variety of carriers before reaching a general conclusion about second-order sensitivity. Here we present second-order sensitivity functions for new carrier types (low pass (1/f) noise, and high pass noise) and demonstrate that, when first-order artefacts have been accounted for, the shape of the resulting MSFs are similar to one another and to those for white and broad band noise. They are all low pass with a likely upper frequency limit in the range 10-20 c/deg, suggesting that detection of second-order stimuli is relatively insensitive to the structure of the carrier signal. This result contrasts strongly with that found for (first-order) luminance modulations of the same noise types. Here the noise acts as mask and each noise type masks most those frequencies that are dominant in its spectrum. Thus the shape of second-order MSFs are largely independent of the spectrum of their noise carrier, but first-order CSFs depend on the spectrum of an additive noise mask. This provides further evidence for the separation of first- and second-order vision and characterises second-order vision as a low pass mechanism.

Artifacts↗

Shading and texture: separate information channels with a common adaptation mechanism?

We outline a scheme for the way in which early vision may handle information about shading (luminance modulation, LM) and texture (contrast modulation, CM). Previous work on the detection of gratings has found no sub-threshold summation, and no cross-adaptation, between LM and CM patterns. This strongly implied separate channels for the detection of LM and CM structure. However, we now report experiments in which adapting to LM (or CM) gratings creates tilt aftereffects of similar magnitude on both LM and CM test gratings, and reduces the perceived strength (modulation depth) of LM and CM gratings to a similar extent. This transfer of aftereffects between LM and CM might suggest a second stage of processing at which LM and CM information is integrated. The nature of this integration, however, is unclear and several simple predictions are not fulfilled. Firstly, one might expect the integration stage to lose identity information about whether the pattern was LM or CM. We show instead that the identity of barely detectable LM and CM patterns is not lost. Secondly, when LM and CM gratings are combined in-phase or out-of-phase we find no evidence for cancellation, nor for 'phase-blindness'. These results suggest that information about LM and CM is not pooled or merged--shading is not confused with texture variation. We suggest that LM and CM signals are carried by separate channels, but they share a common adaptation mechanism that accounts for the almost complete transfer of perceptual aftereffects.

Adaptation, Ocular↗