Biomedical subjects

Aniruddh D Patel

Publications and source records attributed to Aniruddh D Patel.

9 recordsLinked to original sources

PubMed2006

Comparing the rhythm and melody of speech and music: the case of British English and French.

For over half a century, musicologists and linguists have suggested that the prosody of a culture's native language is reflected in the rhythms and melodies of its instrumental music. Testing this idea requires quantitative methods for comparing musical and spoken rhythm and melody. This study applies such methods to the speech and music of England and France. The results reveal that music reflects patterns of durational contrast between successive vowels in spoken sentences, as well as patterns of pitch interval variability in speech. The methods presented here are suitable for studying speech-music relations in a broad range of cultures.

Female↗

PubMed2005

The influence of metricality and modality on synchronization with a beat.

The great majority of the world's music is metrical, i.e., has periodic structure at multiple time scales. Does the metrical structure of a non-isochronous rhythm improve synchronization with a beat compared to synchronization with an isochronous sequence at the beat period? Beat synchronization is usually associated with auditory stimuli, but are people able to extract a beat from rhythmic visual sequences with metrical structure? We addressed these questions by presenting listeners with rhythmic patterns which were either isochronous or non-isochronous in either the auditory or visual modality, and by asking them to tap to the beat, which was prescribed to occur at 800-ms intervals. For auditory patterns, we found that a strongly metrical structure did not improve overall accuracy of synchronization compared with isochronous patterns of the same beat period, though it did influence the higher-level patterning of taps. Synchronization was impaired in weakly metrical patterns in which some beats were silent. For the visual patterns, we found that participants were generally unable to synchronize to metrical non-isochronous rhythms, or to rapid isochronous rhythms. This suggests that beat perception and synchronization have a special affinity with the auditory system.

Acoustic Stimulation↗

PubMed2005

The relationship of music to the melody of speech and to syntactic processing disorders in aphasia.

Two new empirical studies address the relationship between music and language. The first focuses on melody and uses research in phonetics to investigate the long-held notion that instrumental music reflects speech patterns in a composer's native language. The second focuses on syntax and addresses the relationship between musical and linguistic syntactic processing via the study of aphasia, an approach that has been explored very little. The results of these two studies add to a growing body of evidence linking music and language with regard to structural patterns and brain processing.

Acoustic Stimulation↗

PubMed2004

Musically tone-deaf individuals have difficulty discriminating intonation contours extracted from speech.

Musically tone-deaf individuals have psychophysical deficits in detecting pitch changes, yet their discrimination of intonation contours in speech appears to be normal. One hypothesis for this dissociation is that intonation contours use coarse pitch contrasts which exceed the pitch-change detection thresholds of tone-deaf individuals (). We test this idea by presenting intonation contours for discrimination, both in the context of the original sentences in which they occur and in a "pure" form dissociated from any phonetic context. The pure form consists of gliding-pitch analogs of the original intonation contours which exactly follow their pattern of pitch and timing. If the spared intonation perception of tone-deaf individuals is due to the coarse pitch contrasts of intonation, then such individuals should discriminate the original sentences and the gliding-pitch analogs equally well. In contrast, we find that discrimination of the gliding-pitch analogs is severely degraded. Thus it appears that the dissociation between spoken and musical pitch perception in tone-deaf individuals is due to a deficit at a higher level than simple pitch-change detection.

Adult↗

PubMed2004

Human auditory cortical dynamics during perception of long acoustic sequences: phase tracking of carrier frequency by the auditory steady-state response.

We recorded human auditory cortical activity during the perception of long, changing acoustic signals and analyzed information provided by dynamic neural population measures over a large range of time intervals (approximately 24 ms-5 s). Participants listened to musical scales that were amplitude modulated at a rate of 41.5 Hz, generating an ongoing, stimulus-related oscillatory brain signal, the auditory steady-state response (aSSR). The aSSR generated energy at the amplitude modulation rate that was recorded using magnetoencephalography. As in previous work, the timing (phase) of this response varied with stimulus carrier frequency over the entire course of minute-long tone sequences ('phase tracking' of carrier frequency). The length of the time interval over which phase was calculated was systematically varied; significant phase tracking was regularly observed at analysis intervals of <50 ms in length. The right auditory cortex exhibited better phase tracking performance than the left at analysis intervals of 24-240 ms, and frequency dependent phase delays were consistently larger than those predicted by cochlear mechanics. Based on these empirical data, a model of the neural populations responsible for phase tracking suggests that it is produced by a subpopulation ( approximately 25%) of the cells generating the aSSR.

Acoustic Stimulation↗

PubMed2003

An empirical comparison of rhythm in language and music.

Musicologists and linguists have often suggested that the prosody of a culture's spoken language can influence the structure of its instrumental music. However, empirical data supporting this idea have been lacking. This has been partly due to the difficulty of developing and applying comparable quantitative measures to melody and rhythm in speech and music. This study uses a recently-developed measure for the study of speech rhythm to compare rhythmic patterns in English and French language and classical music. We find that English and French musical themes are significantly different in this measure of rhythm, which also differentiates the rhythm of spoken English and French. Thus, there is an empirical basis for the claim that spoken prosody leaves an imprint on the music of a culture.

Humans↗

PubMed2003

Language, music, syntax and the brain.

The comparative study of music and language is drawing an increasing amount of research interest. Like language, music is a human universal involving perceptually discrete elements organized into hierarchically structured sequences. Music and language can thus serve as foils for each other in the study of brain mechanisms underlying complex sound processing, and comparative research can provide novel insights into the functional and neural architecture of both domains. This review focuses on syntax, using recent neuroimaging data and cognitive theory to propose a specific point of convergence between syntactic processing in language and music. This leads to testable predictions, including the prediction that that syntactic comprehension problems in Broca's aphasia are not selective to language but influence music perception as well.

Aphasia↗

PubMed2003

Rhythm in language and music: parallels and differences.

Rhythm is widely acknowledged to be an important feature of both speech and music, yet there is little empirical work comparing rhythmic organization in the two domains. One approach to the empirical comparison of rhythm in language and music is to break rhythm down into subcomponents and compare each component across domains. This approach reveals empirical evidence that rhythmic grouping is an area of overlap between language and music, but no empirical support for the long-held notion that language has periodic structure comparable to that of music. Focusing on the statistical patterning of event duration, new evidence suggests that the linguistic rhythm of a culture leaves an imprint on its musical rhythm. The latter finding suggests that one effective strategy for comparing rhythm in language and music is to determine if differences in linguistic rhythm between cultures are reflected in differences in musical rhythm.

Auditory Perception↗

PubMed2002

Spectral decomposition of variability in synchronization and continuation tapping: comparisons between auditory and visual pacing and feedback conditions.

Spectral analysis was applied to study the variability in human rhythmic synchronization to a visual, auditory or combined auditory-visual metronome of about 2 Hz, as well as the variability in continuation tapping at the same rate with or without visual or auditory feedback. In synchronization, variability was larger in the visual condition than in the auditory and combined conditions, but only below frequencies of about 0.3 Hz. Thus, there seem to be at least two sources of variability in synchronization, one being modality-independent and limited to intervals shorter than 3 s, and the other being modality-dependent and evident as slow "drift", especially in the visual task. In continuation tapping, variability did not depend reliably on the presence or modality of feedback. However, spectral analysis revealed a change in the temporal structure of variability around 0.08 Hz (a period of about 12 s or 24 taps), which roughly agrees with earlier findings reported in the literature.

Adult↗