Biomedical subjects

Bernhard Ross

Publications and source records attributed to Bernhard Ross.

15 recordsLinked to original sources

PubMed2006

One year of musical training affects development of auditory cortical-evoked fields in young children.

Auditory evoked responses to a violin tone and a noise-burst stimulus were recorded from 4- to 6-year-old children in four repeated measurements over a 1-year period using magnetoencephalography (MEG). Half of the subjects participated in musical lessons throughout the year; the other half had no music lessons. Auditory evoked magnetic fields showed prominent bilateral P100m, N250m, P320m and N450m peaks. Significant change in the peak latencies of all components except P100m was observed over time. Larger P100m and N450m amplitude as well as more rapid change of N250m amplitude and latency was associated with the violin rather than the noise stimuli. Larger P100m and P320m peak amplitudes in the left hemisphere than in the right are consistent with left-lateralized cortical development in this age group. A clear musical training effect was expressed in a larger and earlier N250m peak in the left hemisphere in response to the violin sound in musically trained children compared with untrained children. This difference coincided with pronounced morphological change in a time window between 100 and 400 ms, which was observed in musically trained children in response to violin stimuli only, whereas in untrained children a similar change was present regardless of stimulus type. This transition could be related to establishing a neural network associated with sound categorization and/or involuntary attention, which can be altered by music learning experience.

Acoustic Stimulation↗

PubMed2006

Cortical oscillations related to processing congruent and incongruent grapheme-phoneme pairs.

In this study, we investigated changes in cortical oscillations following congruent and incongruent grapheme-phoneme stimuli. Hiragana graphemes and phonemes were simultaneously presented as congruent or incongruent audiovisual stimuli to native Japanese-speaking participants. The discriminative reaction time was 57 ms shorter for congruent than incongruent stimuli. Analysis of MEG responses using synthetic aperture magnetometry (SAM) revealed that congruent stimuli evoked larger 2-10 Hz activity in the left auditory cortex within the first 250 ms after stimulus onset, and smaller 2-16 Hz activity in bilateral visual cortices between 250 and 500 ms. These results indicate that congruent visual input can modify cortical activity in the left auditory cortex.

Acoustic Stimulation↗

PubMed2005

Modulation of P2 auditory-evoked responses by the spectral complexity of musical sounds.

We investigated whether N1 and P2 auditory-evoked responses are modulated by the spectral complexity of musical sounds in pianists and non-musicians. Study participants were presented with three variants of a C4 piano tone equated for temporal envelope but differing in the number of harmonics contained in the stimulus. A fourth tone was a pure tone matched to the fundamental frequency of the piano tones. A simultaneous electroencephalographic/magnetoencephalographic recording was made. P2 amplitude was larger in musicians and increased with spectral complexity preferentially in this group, but N1 did not. The results suggest that P2 reflects the specific features of acoustic stimuli experienced during musical practice and point to functional differences in P2 and N1 that relate to their underlying mechanisms.

Acoustic Stimulation↗

PubMed2005

Automatic encoding of polyphonic melodies in musicians and nonmusicians.

In music, multiple musical objects often overlap in time. Western polyphonic music contains multiple simultaneous melodic lines (referred to as "voices") of equal importance. Previous electrophysiological studies have shown that pitch changes in a single melody are automatically encoded in memory traces, as indexed by mismatch negativity (MMN) and its magnetic counterpart (MMNm), and that this encoding process is enhanced by musical experience. In the present study, we examined whether two simultaneous melodies in polyphonic music are represented as separate entities in the auditory memory trace. Musicians and untrained controls were tested in both magnetoencephalogram and behavioral sessions. Polyphonic stimuli were created by combining two melodies (A and B), each consisting of the same five notes but in a different order. Melody A was in the high voice and Melody B in the low voice in one condition, and this was reversed in the other condition. On 50% of trials, a deviant final (5th) note was played either in the high or in the low voice, and it either went outside the key of the melody or remained within the key. These four deviations occurred with equal probability of 12.5% each. Clear MMNm was obtained for most changes in both groups, despite the 50% deviance level, with a larger amplitude in musicians than in controls. The response pattern was consistent across groups, with larger MMNm for deviants in the high voice than in the low voice, and larger MMNm for in-key than out-of-key changes, despite better behavioral performance for out-of-key changes. The results suggest that melodic information in each voice in polyphonic music is encoded in the sensory memory trace, that the higher voice is more salient than the lower, and that tonality may be processed primarily at cognitive stages subsequent to MMN generation.

Acoustic Stimulation↗

PubMed2004

Responsiveness to repeated speech stimuli persists in left but not right auditory cortex.

Activation of the auditory cortex habituates with repeated stimulation. While behaviorally adaptive in most circumstances, decreasing auditory responsiveness could interfere with speech perception. We therefore tested whether auditory habituation differs for speech and non-speech stimuli and for left and right auditory cortex. We examined seven right-handed subjects in whom we had determined left-hemispheric language dominance by event-related blood flow assessment. We recorded magnetoencephalographic-evoked responses to trains of four sine tones or vowels and measured the decrement from the first to the last stimulus of the response component about 100 ms after stimulus onset (N1). For the sine tones there was a decrement in both hemispheres. Conversely, for vowels there was significant attenuation of the auditory decrement in the left compared with the right hemisphere (p=0.017). This left-hemisphere persistence in auditory responsiveness to vowels demonstrates that the human brain processes speech stimuli differently than non-speech stimuli and that the left-hemisphere plays a dominant role in this speech-specific auditory processing.

Acoustic Stimulation↗

PubMed2004

An integrative MEG-fMRI study of the primary somatosensory cortex using cross-modal correspondence analysis.

We develop a novel approach of cross-modal correspondence analysis (CMCA) to address whether brain activities observed in magnetoencephalography (MEG) and functional magnetic resonance imaging (fMRI) represent a common neuronal subpopulation, and if so, which frequency band obtained by MEG best fits the common brain areas. Fourteen adults were investigated by whole-head MEG using a single equivalent current dipole (ECD) and synthetic aperture magnetometry (SAM) approaches and by fMRI at 1.5 T using linear time-invariant modeling to generate statistical maps. The same somatosensory stimulus sequences consisting of tactile impulses to the right sided: digit 1, digit 4 and lower lip were used in both neuroimaging modalities. To evaluate the reproducibility of MEG and fMRI results, one subject was measured repeatedly. Despite different MEG dipole locations and locations of maximum activation in SAM and fMRI, CMCA revealed a common subpopulation of the primary somatosensory cortex, which displays a clear homuncular organization. MEG activity in the frequency range between 30 and 60 Hz, followed by the ranges of 20-30 and 60-100 Hz, explained best the defined subrepresentation given by both MEG and fMRI. These findings have important implications for improving and understanding of the biophysics underlying both neuroimaging techniques, and for determining the best strategy to combine MEG and fMRI data to study the spatiotemporal nature of brain activity.

Adult↗

PubMed2004

Auditory steady-state responses reveal amplitude modulation gap detection thresholds.

Auditory evoked magnetic fields were recorded from the left hemisphere of healthy subjects using a 37-channel magnetometer while stimulating the right ear with 40-Hz amplitude modulated (AM) tone-bursts with 500-Hz carrier frequency in order to study the time-courses of amplitude and phase of auditory steady-state responses (ASSRs). The stimulus duration of 300 ms and the duration of the silent periods (3-300 ms) between succeeding stimuli were chosen to address the question whether the time-course of the ASSR can reflect both temporal integration and temporal resolution in the central auditory processing. Long lasting perturbations of the ASSR were found after gaps in the AM sound, even for gaps of short duration. These were interpreted as evidences for an auditory reset mechanism. Concomitant psycho-acoustical tests corroborated that gap durations perturbing the ASSR were in the same range as the threshold for AM gap detection. Magnetic source localizations estimated the ASSR sources in the primary auditory cortex, suggesting that the processing of temporal structures in the sound is performed at or below the cortical level.

Acoustic Stimulation↗

PubMed2003

Evidence for training-induced crossmodal reorganization of cortical functions in trumpet players.

The aim of this study was to compare multimodal information processing in the somatosensory and auditory cortices and related multimodal areas in musicians (trumpet players) and non-musicians. Magnetoencephalographic activity (MEG) was recorded in response to five stimulus conditions from 10 professional trumpet players and nine musically untrained control subjects. Somatosensory and auditory stimuli were presented alone or in combination. Our data suggest that musicians, in general, process multisensory stimuli differently to the control group. When stimulating the lip in professional trumpet players, a multimodal interaction (expressed as difference between the multimodal response and the sum of unimodal responses) in the corresponding somatosensory cortex showed a positive peak at 33 ms, which was not found in the control group. Conversely, the control group shows a significant interaction of opposite polarity around 60-80 ms. We suggest that training-induced reorganization in musicians leads to a qualitatively different way to process multisensory information. It favors an early stage of cortical processing, which is modified by the connections between multimodal and auditory neurons from thalamus to primary somatosensory area.

Acoustic Stimulation↗

PubMed2003

Frequency specificity of 40-Hz auditory steady-state responses.

Auditory steady-state responses (ASSR) to amplitude modulated (AM) tones with carrier frequencies between 250 and 4000 Hz and modulation frequencies near 40 Hz were recorded using a 37-channel neuro-magnetometer placed above the auditory cortex contralateral to the stimulated right ear. The ASSR sources were likely in the primary auditory cortex, located more anteriorly and more medially than the N1m sources. The ASSR amplitude decreased with increasing carrier frequency, the amplitude at 250 Hz being three times larger than at 4000 Hz. The amplitude of the ASSR to a test sound decreased in the presence of an interfering second AM sound. This suppression of the ASSR to the test stimulus was greater when the carrier frequency of the interfering stimulus was higher than that of the test tone and was greater when the test stimulus had a lower carrier frequency. Similar frequency specificity was observed when the interfering sound was a non-modulated pure tone. These results differ from those found for the ASSR elicited by modulation frequencies above 80 Hz or for the transient brainstem and middle-latency responses and suggest substantial interactions between phase-locked activities at the level of the primary auditory cortex.

Acoustic Stimulation↗

PubMed2003

Determination of activation areas in the human auditory cortex by means of synthetic aperture magnetometry.

In this study we applied synthetic aperture magnetometry (SAM) to investigate active cortical areas associated with magnetically recorded transient and steady-state auditory evoked responses. For transient evoked responses, SAM images reveal an activated volume of cortical tissue within the lateral aspect of the superior temporal plane. The volume of cortical activation for steady-state responses was located more medially than that for transient evoked responses. Additionally, SAM also reveals a small overlap of activated areas between transient and steady-state evoked responses, which has not be demonstrated when using equivalent current dipole (ECD) source modeling. Source waveforms from SAM and ECD analyses show comparable temporal information. Results from this study suggest that SAM is a useful technique for imaging cortical structures involved in processing perceptual information.

Acoustic Stimulation↗

PubMed2003

Tonotopic representation of missing fundamental complex sounds in the human auditory cortex.

The N1m component of the auditory evoked magnetic field in response to tones and complex sounds was examined in order to clarify whether the tonotopic representation in the human secondary auditory cortex is based on perceived pitch or the physical frequency spectrum of the sound. The investigated stimulus parameters were the fundamental frequencies (F0 = 250, 500 and 1000 Hz), the spectral composition of the higher harmonics of the missing fundamental sounds (2nd to 5th, 6th to 9th and 10th to 13th harmonic) and the frequencies of pure tones corresponding to F0 and to the lowest component of each complex sound. Tonotopic gradients showed that high frequencies were more medially located than low frequencies for the pure tones and for the centre frequency of the complex tones. Furthermore, in the superior-inferior direction, the tonotopic gradients were different between pure tones and complex sounds. The results were interpreted as reflecting different processing in the auditory cortex for pure tones and complex sounds. This hypothesis was supported by the result of evoked responses to complex sounds having longer latencies. A more pronounced tonotopic representation in the right hemisphere gave evidence for right hemispheric dominance in spectral processing.

Acoustic Stimulation↗

PubMed2003

Music and learning-induced cortical plasticity.

Auditory stimuli are encoded by frequency-tuned neurons in the auditory cortex. There are a number of tonotopic maps, indicating that there are multiple representations, as in a mosaic. However, the cortical organization is not fixed due to the brain's capacity to adapt to current requirements of the environment. Several experiments on cerebral cortical organization in musicians demonstrate an astonishing plasticity. We used the MEG technique in a number of studies to investigate the changes that occur in the human auditory cortex when a skill is acquired, such as when learning to play a musical instrument. We found enlarged cortical representation of tones of the musical scale as compared to pure tones in skilled musicians. Enlargement was correlated with the age at which musicians began to practice. We also investigated cortical representations for notes of different timbre (violin and trumpet) and found that they are enhanced in violinists and trumpeters, preferentially for the timbre of the instrument on which the musician was trained. In recent studies we extended these findings in three ways. First, we show that we can use MEG to measure the effects of relatively short-term laboratory training involving learning to perceive virtual instead of spectral pitch and that the switch to perceiving virtual pitch is manifested in the gamma band frequency. Second, we show that there is cross-modal plasticity in that when the lips of trumpet players are stimulated (trumpet players assess their auditory performance by monitoring the position and pressure of their lips touching the mouthpiece of their instrument) at the same time as a trumpet tone, activation in the somatosensory cortex is increased more than it is during the sum of the separate lip and trumpet tone stimulation. Third, we show that musicians' automatic encoding and discrimination of pitch contour and interval information in melodies are specifically enhanced compared to those in nonmusicians in that musicians show larger functional mismatch negativity (MMNm) responses to occasional changes in melodic contour or interval, but that the two groups show similar MMNm responses to changes in the frequency of a pure tone.

Auditory Cortex↗

PubMed2002

Temporal integration in the human auditory cortex as represented by the development of the steady-state magnetic field.

The threshold for detecting amplitude modulation (AM) decreases with increasing duration of the AM sound up to several hundred milliseconds. If the auditory evoked steady-state response (SSR) to AM sound is an electrophysiological correlate of AM processing in the human brain, the development of the SSR should follow this course of temporal integration. Magnetoencephalographic recordings of SSR to 40 Hz AM tone-bursts were compared with responses to non-modulated tone-bursts at inter-stimulus intervals (ISIs) of 3, 1, and 0.5 s. Both types of stimuli elicited a transient gamma-band response (GBR), an N1 wave, and a sustained field (SF) during stimulus presentation. The AM stimulus evoked an additional 40 Hz SSR. The N1 amplitude was strongly reduced with shortened ISI, whereas the amplitudes of SSR, GBR, and SF were little affected by the ISI. Magnetic source-localization procedures estimated the generators of the early GBR, the SSR, and the SF to be anterior and medial to the sources of the N1. The sources of the SSR were in primary auditory cortex and separate from GBR sources. The SSR amplitude increased monotonically over a 200 ms period beginning about 40 ms after stimulus onset. The time course of the SSR phase reliably measured the duration of this transition to the steady state. At stimulus offset the SSR ceased within 50 ms. These results indicate that the primary auditory cortex responds immediately to stimulus changes and integrates stimulus features over a period of about 200 ms.

Acoustic Stimulation↗

PubMed2002

Auditory cortical response patterns to multiple rhythms of AM sound.

OBJECTIVE: Multiple amplitude modulation (AM) of a tone results in a time series with a complex structure of envelope fluctuations. In this study the cortical responses elicited by such an auditory stimulus were investigated. It was hypothesized that the auditory cortex responds simultaneously with different patterns of activity corresponding to the different rhythm of periodical stimulus fluctuations. The relations of these response patterns to either steady-state responses (SSR) in the 40 Hz range or the transient slow auditory evoked responses were investigated. DESIGN: Auditory evoked magnetic fields were recorded from the left temporal cortex of nine healthy humans in response to 250 Hz tones that were amplitude modulated with the sum of two sinusoids of 38 and 40 Hz. The stimulus was presented continuously to the subject's right ear at the intensity of 70 dB sensation level. In addition, the responses to 250 Hz tone-burst stimuli with duration of 20, 50, 100, and 200 msec, respectively, were recorded. The tone-bursts were presented at an inter-stimulus interval (ISI) of 0.5 sec, which was equivalent to the slowest rhythm of the multiple-AM stimulus. Magnetic source analysis was applied to all elicited waveforms. RESULTS: From all subjects SSR at 38 and 40 Hz were clearly recognizable and were superimposed by a periodical response pattern corresponding to 2 Hz stimulus envelope fluctuations. A positive peak with latency of 70 msec was the mostly pronounced response to tone-burst stimulation at the ISI of 0.5 sec and resembles the low-frequency response pattern to the AM stimulus. The N1-P2 complex showed an almost complete suppression at 0.5 sec ISI. In contrast, it was the most prominent evoked response activity when using a longer ISI of 3 sec. Source locations in overlapping areas were estimated for the SSR in the 40 Hz range, the prominent peak of low-frequency response to the AM stimulus, and the P1 peak at tone-burst stimulation, respectively. These were separated from the N1 source location by about 0.5 cm in anterior and 0.5 cm in medial direction. CONCLUSION: As a result of multiple AM the stimulus signal envelope fluctuates with frequencies of 2 Hz and around 40 Hz. The auditory cortex responds to this stimulus with different response patterns. Both modulation signals at 38 and 40 Hz were almost linearly represented as steady-state responses. The evoked response patterns to stimulus fluctuations at low-frequency rhythm resemble the slow cortical auditory evoked responses. The 2 Hz stimulus rhythm is perceived as loudness fluctuation, and 40 Hz modulation is perceived as a rough sound. It is assumed that the different cortical representations correspond to both types of perception of the complex AM sound.

Adult↗

PubMedDate not supplied

Musical training enhances automatic encoding of melodic contour and interval structure.

In music, melodic information is thought to be encoded in two forms, a contour code (up/down pattern of pitch changes) and an interval code (pitch distances between successive notes). A recent study recording the mismatch negativity (MMN) evoked by pitch contour and interval deviations in simple melodies demonstrated that people with no formal music education process both contour and interval information in the auditory cortex automatically. However, it is still unclear whether musical experience enhances both strategies of melodic encoding. We designed stimuli to examine contour and interval information separately. In the contour condition there were eight different standard melodies (presented on 80% of trials), each consisting of five notes all ascending in pitch, and the corresponding deviant melodies (20%) were altered to descending on their final note. The interval condition used one five-note standard melody transposed to eight keys from trial to trial, and on deviant trials the last note was raised by one whole tone without changing the pitch contour. There was also a control condition, in which a standard tone (990.7 Hz) and a deviant tone (1111.0 Hz) were presented. The magnetic counterpart of the MMN (MMNm) from musicians and nonmusicians was obtained as the difference between the dipole moment in response to the standard and deviant trials recorded by magnetoencephalography. Significantly larger MMNm was present in musicians in both contour and interval conditions than in nonmusicians, whereas MMNm in the control condition was similar for both groups. The interval MMNm was larger than the contour MMNm in musicians. No hemispheric difference was found in either group. The results suggest that musical training enhances the ability to automatically register abstract changes in the relative pitch structure of melodies.

Acoustic Stimulation↗