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Christo Pantev

Publications and source records attributed to Christo Pantev.

29 records · Page 2Linked to original sources

Frequency specificity of 40-Hz auditory steady-state responses.

Auditory steady-state responses (ASSR) to amplitude modulated (AM) tones with carrier frequencies between 250 and 4000 Hz and modulation frequencies near 40 Hz were recorded using a 37-channel neuro-magnetometer placed above the auditory cortex contralateral to the stimulated right ear. The ASSR sources were likely in the primary auditory cortex, located more anteriorly and more medially than the N1m sources. The ASSR amplitude decreased with increasing carrier frequency, the amplitude at 250 Hz being three times larger than at 4000 Hz. The amplitude of the ASSR to a test sound decreased in the presence of an interfering second AM sound. This suppression of the ASSR to the test stimulus was greater when the carrier frequency of the interfering stimulus was higher than that of the test tone and was greater when the test stimulus had a lower carrier frequency. Similar frequency specificity was observed when the interfering sound was a non-modulated pure tone. These results differ from those found for the ASSR elicited by modulation frequencies above 80 Hz or for the transient brainstem and middle-latency responses and suggest substantial interactions between phase-locked activities at the level of the primary auditory cortex.

Acoustic Stimulation↗

Determination of activation areas in the human auditory cortex by means of synthetic aperture magnetometry.

In this study we applied synthetic aperture magnetometry (SAM) to investigate active cortical areas associated with magnetically recorded transient and steady-state auditory evoked responses. For transient evoked responses, SAM images reveal an activated volume of cortical tissue within the lateral aspect of the superior temporal plane. The volume of cortical activation for steady-state responses was located more medially than that for transient evoked responses. Additionally, SAM also reveals a small overlap of activated areas between transient and steady-state evoked responses, which has not be demonstrated when using equivalent current dipole (ECD) source modeling. Source waveforms from SAM and ECD analyses show comparable temporal information. Results from this study suggest that SAM is a useful technique for imaging cortical structures involved in processing perceptual information.

Acoustic Stimulation↗

Tonotopic representation of missing fundamental complex sounds in the human auditory cortex.

The N1m component of the auditory evoked magnetic field in response to tones and complex sounds was examined in order to clarify whether the tonotopic representation in the human secondary auditory cortex is based on perceived pitch or the physical frequency spectrum of the sound. The investigated stimulus parameters were the fundamental frequencies (F0 = 250, 500 and 1000 Hz), the spectral composition of the higher harmonics of the missing fundamental sounds (2nd to 5th, 6th to 9th and 10th to 13th harmonic) and the frequencies of pure tones corresponding to F0 and to the lowest component of each complex sound. Tonotopic gradients showed that high frequencies were more medially located than low frequencies for the pure tones and for the centre frequency of the complex tones. Furthermore, in the superior-inferior direction, the tonotopic gradients were different between pure tones and complex sounds. The results were interpreted as reflecting different processing in the auditory cortex for pure tones and complex sounds. This hypothesis was supported by the result of evoked responses to complex sounds having longer latencies. A more pronounced tonotopic representation in the right hemisphere gave evidence for right hemispheric dominance in spectral processing.

Acoustic Stimulation↗

Music and learning-induced cortical plasticity.

Auditory stimuli are encoded by frequency-tuned neurons in the auditory cortex. There are a number of tonotopic maps, indicating that there are multiple representations, as in a mosaic. However, the cortical organization is not fixed due to the brain's capacity to adapt to current requirements of the environment. Several experiments on cerebral cortical organization in musicians demonstrate an astonishing plasticity. We used the MEG technique in a number of studies to investigate the changes that occur in the human auditory cortex when a skill is acquired, such as when learning to play a musical instrument. We found enlarged cortical representation of tones of the musical scale as compared to pure tones in skilled musicians. Enlargement was correlated with the age at which musicians began to practice. We also investigated cortical representations for notes of different timbre (violin and trumpet) and found that they are enhanced in violinists and trumpeters, preferentially for the timbre of the instrument on which the musician was trained. In recent studies we extended these findings in three ways. First, we show that we can use MEG to measure the effects of relatively short-term laboratory training involving learning to perceive virtual instead of spectral pitch and that the switch to perceiving virtual pitch is manifested in the gamma band frequency. Second, we show that there is cross-modal plasticity in that when the lips of trumpet players are stimulated (trumpet players assess their auditory performance by monitoring the position and pressure of their lips touching the mouthpiece of their instrument) at the same time as a trumpet tone, activation in the somatosensory cortex is increased more than it is during the sum of the separate lip and trumpet tone stimulation. Third, we show that musicians' automatic encoding and discrimination of pitch contour and interval information in melodies are specifically enhanced compared to those in nonmusicians in that musicians show larger functional mismatch negativity (MMNm) responses to occasional changes in melodic contour or interval, but that the two groups show similar MMNm responses to changes in the frequency of a pure tone.

Auditory Cortex↗

MEG study of long-term cortical reorganization of sensorimotor areas with respect to using chopsticks.

The movements required to use chopsticks are overlearned and routine in Asians. Most non-Asians, on the other hand, typically have difficulty performing this unfamiliar manual activity, and have to focus their attention on the movements required to use chopsticks adequately. Using magnetoencephalography (MEG) we compared the cortical activation of highly trained Asian chopstick users to the activation of Europeans who only occasionally used chopsticks, while they performed the same tasks with chopsticks or a control task of simple tapping of the same fingers. The data were analyzed using the new method of synthetic aperture magnetometry (SAM). In Europeans there was a significantly higher ratio of spectral power in the higher gamma frequency band (60-80 Hz) over the sensorimotor area compared to the Asian subjects. From these results we conclude that the high gamma band activity in the sensorimotor area may reflect focused attention and functional reorganization of the cortical network with respect to sensorimotor experience.

Adult↗

Expansion of the tonotopic area in the auditory cortex of the blind.

A part of the core area of the auditory cortex was examined in nine blind and 10 sighted individuals by magnetic source imaging and was found to be enlarged by a factor of 1.8 in the blind compared with the sighted humans. Moreover, the latency of the N1m component of the auditory-evoked magnetic response was significantly decreased in the blind. The development of use-dependent cortical reorganization may be a consequence of the absence of visual input in combination with enhanced auditory activity generated by the long-term concentration by blind individuals on nonvisual cues to interact appropriately with the environment. It is consistent with and well suited to mediate the demonstrated increased ability of the blind to accurately localize acoustic sources in peripheral auditory fields and to decode speech.

Acoustic Stimulation↗

Temporal integration in the human auditory cortex as represented by the development of the steady-state magnetic field.

The threshold for detecting amplitude modulation (AM) decreases with increasing duration of the AM sound up to several hundred milliseconds. If the auditory evoked steady-state response (SSR) to AM sound is an electrophysiological correlate of AM processing in the human brain, the development of the SSR should follow this course of temporal integration. Magnetoencephalographic recordings of SSR to 40 Hz AM tone-bursts were compared with responses to non-modulated tone-bursts at inter-stimulus intervals (ISIs) of 3, 1, and 0.5 s. Both types of stimuli elicited a transient gamma-band response (GBR), an N1 wave, and a sustained field (SF) during stimulus presentation. The AM stimulus evoked an additional 40 Hz SSR. The N1 amplitude was strongly reduced with shortened ISI, whereas the amplitudes of SSR, GBR, and SF were little affected by the ISI. Magnetic source-localization procedures estimated the generators of the early GBR, the SSR, and the SF to be anterior and medial to the sources of the N1. The sources of the SSR were in primary auditory cortex and separate from GBR sources. The SSR amplitude increased monotonically over a 200 ms period beginning about 40 ms after stimulus onset. The time course of the SSR phase reliably measured the duration of this transition to the steady state. At stimulus offset the SSR ceased within 50 ms. These results indicate that the primary auditory cortex responds immediately to stimulus changes and integrates stimulus features over a period of about 200 ms.

Acoustic Stimulation↗

Auditory cortical response patterns to multiple rhythms of AM sound.

OBJECTIVE: Multiple amplitude modulation (AM) of a tone results in a time series with a complex structure of envelope fluctuations. In this study the cortical responses elicited by such an auditory stimulus were investigated. It was hypothesized that the auditory cortex responds simultaneously with different patterns of activity corresponding to the different rhythm of periodical stimulus fluctuations. The relations of these response patterns to either steady-state responses (SSR) in the 40 Hz range or the transient slow auditory evoked responses were investigated. DESIGN: Auditory evoked magnetic fields were recorded from the left temporal cortex of nine healthy humans in response to 250 Hz tones that were amplitude modulated with the sum of two sinusoids of 38 and 40 Hz. The stimulus was presented continuously to the subject's right ear at the intensity of 70 dB sensation level. In addition, the responses to 250 Hz tone-burst stimuli with duration of 20, 50, 100, and 200 msec, respectively, were recorded. The tone-bursts were presented at an inter-stimulus interval (ISI) of 0.5 sec, which was equivalent to the slowest rhythm of the multiple-AM stimulus. Magnetic source analysis was applied to all elicited waveforms. RESULTS: From all subjects SSR at 38 and 40 Hz were clearly recognizable and were superimposed by a periodical response pattern corresponding to 2 Hz stimulus envelope fluctuations. A positive peak with latency of 70 msec was the mostly pronounced response to tone-burst stimulation at the ISI of 0.5 sec and resembles the low-frequency response pattern to the AM stimulus. The N1-P2 complex showed an almost complete suppression at 0.5 sec ISI. In contrast, it was the most prominent evoked response activity when using a longer ISI of 3 sec. Source locations in overlapping areas were estimated for the SSR in the 40 Hz range, the prominent peak of low-frequency response to the AM stimulus, and the P1 peak at tone-burst stimulation, respectively. These were separated from the N1 source location by about 0.5 cm in anterior and 0.5 cm in medial direction. CONCLUSION: As a result of multiple AM the stimulus signal envelope fluctuates with frequencies of 2 Hz and around 40 Hz. The auditory cortex responds to this stimulus with different response patterns. Both modulation signals at 38 and 40 Hz were almost linearly represented as steady-state responses. The evoked response patterns to stimulus fluctuations at low-frequency rhythm resemble the slow cortical auditory evoked responses. The 2 Hz stimulus rhythm is perceived as loudness fluctuation, and 40 Hz modulation is perceived as a rough sound. It is assumed that the different cortical representations correspond to both types of perception of the complex AM sound.

Adult↗

Different modes of pitch perception and learning-induced neuronal plasticity of the human auditory cortex.

We designed a melody perception experiment involving eight harmonic complex tones of missing fundamental frequencies (hidden auditory object) to study the short-term neuronal plasticity of the auditory cortex. In this experiment, the fundamental frequencies of the complex tones followed the beginning of the virtual melody of the tune "Frère Jacques". The harmonics of the complex tones were chosen so that the spectral melody had an inverse contour when compared with the virtual one. Evoked magnetic fields were recorded contralaterally to the ear of stimulation from both hemispheres. After a base line measurement, the subjects were exposed repeatedly to the experimental stimuli for 1 hour a day. All subjects reported a sudden change in the perceived melody, indicating possible reorganization of the cortical processes involved in the virtual pitch formation. After this switch in perception, a second measurement was performed. Cortical sources of the evoked gamma-band activity were significantly stronger and located more medially after a switch in perception. Independent Component Analysis revealed enhanced synchronization in the gamma-band frequency range. Comparing the gamma-band activation of both hemispheres, no laterality effects were observed. The results indicate that the primary auditory cortices are involved in the process of virtual pitch perception and that their function is modifiable by laboratory manipulation.

Adult↗

Plasticity of the human auditory cortex induced by discrimination learning of non-native, mora-timed contrasts of the Japanese language.

In this magnetoencephalographic (MEG) study, we examined with high temporal resolution the traces of learning in the speech-dominant left-hemispheric auditory cortex as a function of newly trained mora-timing. In Japanese, the "mora" is a temporal unit that divides words into almost isochronous segments (e.g., na-ka-mu-ra and to-o-kyo-o each comprises four mora). Changes in the brain responses of a group of German and Japanese subjects to differences in the mora structure of Japanese words were compared. German subjects performed a discrimination training in 10 sessions of 1.5 h each day. They learned to discriminate Japanese pairs of words (in a consonant, anni-ani; and a vowel, kiyo-kyo, condition), where the second word was shortened by one mora in eight steps of 15 msec each. A significant increase in learning performance, as reflected by behavioral measures, was observed, accompanied by a significant increase of the amplitude of the Mismatch Negativity Field (MMF). The German subjects' hit rate for detecting durational deviants increased by up to 35%. Reaction times and MMF latencies decreased significantly across training sessions. Japanese subjects showed a more sensitive MMF to smaller differences. Thus, even in young adults, perceptual learning of non-native mora-timing occurs rapidly and deeply. The enhanced behavioral and neurophysiological sensitivity found after training indicates a strong relationship between learning and (plastic) changes in the cortical substrate.

Adult↗

Musical training enhances automatic encoding of melodic contour and interval structure.

In music, melodic information is thought to be encoded in two forms, a contour code (up/down pattern of pitch changes) and an interval code (pitch distances between successive notes). A recent study recording the mismatch negativity (MMN) evoked by pitch contour and interval deviations in simple melodies demonstrated that people with no formal music education process both contour and interval information in the auditory cortex automatically. However, it is still unclear whether musical experience enhances both strategies of melodic encoding. We designed stimuli to examine contour and interval information separately. In the contour condition there were eight different standard melodies (presented on 80% of trials), each consisting of five notes all ascending in pitch, and the corresponding deviant melodies (20%) were altered to descending on their final note. The interval condition used one five-note standard melody transposed to eight keys from trial to trial, and on deviant trials the last note was raised by one whole tone without changing the pitch contour. There was also a control condition, in which a standard tone (990.7 Hz) and a deviant tone (1111.0 Hz) were presented. The magnetic counterpart of the MMN (MMNm) from musicians and nonmusicians was obtained as the difference between the dipole moment in response to the standard and deviant trials recorded by magnetoencephalography. Significantly larger MMNm was present in musicians in both contour and interval conditions than in nonmusicians, whereas MMNm in the control condition was similar for both groups. The interval MMNm was larger than the contour MMNm in musicians. No hemispheric difference was found in either group. The results suggest that musical training enhances the ability to automatically register abstract changes in the relative pitch structure of melodies.

Acoustic Stimulation↗