Biomedical subjects

Christopher J Plack

Publications and source records attributed to Christopher J Plack.

17 recordsLinked to original sources

PubMed2006

Masking by inaudible sounds and the linearity of temporal summation.

Many natural sounds, including speech and animal vocalizations, involve rapid sequences that vary in spectrum and amplitude. Each sound within a sequence has the potential to affect the audibility of subsequent sounds in a process known as forward masking. Little is known about the neural mechanisms underlying forward masking, particularly in more realistic situations in which multiple sounds follow each other in rapid succession. A parsimonious hypothesis is that the effects of consecutive sounds combine linearly, so that the total masking effect is a simple sum of the contributions from the individual maskers. The experiment reported here tests a counterintuitive prediction of this linear-summation hypothesis, namely that a sound that itself is inaudible should, under certain circumstances, affect the audibility of subsequent sounds. The results show that, when two forward maskers are combined, the second of the two maskers can continue to produce substantial masking, even when it is completely masked by the first masker. Thus, inaudible sounds can affect the perception of subsequent sounds. A model incorporating instantaneous compression (reflecting the nonlinear response of the basilar membrane in the cochlea), followed by linear summation of the effects of the maskers, provides a good account of the data. Despite the presence of multiple sources of nonlinearity in the auditory system, masking effects by sequential sounds combine in a manner that is well captured by a time-invariant linear system.

Auditory Perception↗

PubMed2006

The detection of increments and decrements is not facilitated by abrupt onsets or offsets.

Two experiments measured thresholds for the detection of increments and decrements in the intensity of a quasi-continuous broadband-noise (experiment 1) or increments in a 477-Hz pure-tone pedestal (experiment 2). A variety of onset and offset ramps for the intensity change were tested, from instantaneous onsets or offsets to ramps lasting several tens of milliseconds. For increments and decrements with equal duration, the characteristics of the ramps had little effect on performance. Abrupt rise times, which are associated with strong transient responses in auditory neurons, did not facilitate detection in comparison to much slower rise times. The temporal window model of temporal resolution provided a good account of the data when the decision statistic was the maximum magnitude of the change in the output of the window produced by the increment or decrement, but provided a poor account of the data when the decision statistic was the maximum rate of change in the output of the window over time. Overall the results suggest that, in the absence of cues in the audio-frequency domain, rapid changes in envelope contribute little to near-threshold increment or decrement detection.

Adolescent↗

PubMed2006

Effect of noise on the detectability and fundamental frequency discrimination of complex tones.

Percent correct performance for discrimination of the fundamental frequency (0) of a complex tone was measured as a function of the level of a background pink noise (using fixed values of the difference in F0, deltaF0) and compared with percent correct performance for detection of the complex tone in noise, again as a function of noise level. The tone included some low, resolvable components, but not the fundamental component. The results were used to test the hypothesis that the worsening in F0 discrimination with increasing noise level was caused by the reduced detectability of the tone rather than by reduced precision of the internal representation of F0. For small values of deltaF0, the hypothesis was rejected because measured performance fell below that predicted by the hypothesis. However, this was true only for high noise levels, within 2-4.5 dB of the level required for masked threshold. The results indicate that the mechanism for extracting the F0 of a complex tone with resolved harmonics is remarkably robust. They also indicate that adding a background noise to a complex tone containing resolved harmonics is not a good means for equating its pitch salience with that of a complex tone containing only unresolved harmonics.

Acoustic Stimulation↗

PubMed2005

The role of suppression in the upward spread of masking.

The upward spread of masking refers to the higher growth rate of masking for maskers lower in frequency than the signal, compared to maskers at the signal frequency (Wegel RL, Lane CE. The auditory masking of one pure tone by another and its possible relation to the dynamics of the inner ear. Physics Rev. 23:266-285, 1924; Egan JP, Hake HW. On the masking pattern of a simple auditory stimulus. J. Acoust. Soc. Am. 22:622-630, 1950; Delgutte B. Physiological mechanisms of psychophysical masking: Observations from auditory-nerve fibres. J. Acoust. Soc. Am. 87:791-809, 1990a, Delgutte B. Two-tone rate suppression in auditory-nerve fibres: Dependence on suppressor frequency and level. Hear Res. 49:225-246, 1990b). The upward spread of simultaneous masking may arise from a combination of excitatory and suppressive effects. In this study, growth of masking functions were obtained for a 4-kHz signal masked by an on-frequency (4 kHz) or off-frequency (2.4 kHz), simultaneous or forward masker, in the presence of a notched noise with a center frequency of 4 kHz presented to restrict off-frequency listening. Compression was estimated from the slopes of the off-frequency growth of masking functions. Suppression was estimated by comparing the off-frequency simultaneous- and forward-masked growth of masking functions. Results showed that, for midlevel signals (35-60 dB SPL), the compression exponent estimated from simultaneous and forward masking averaged 0.31 and 0.26, respectively. The maximum amount of suppression (defined as the decrease in the basilar-membrane response to the signal) was variable, ranging from about 6 to 17 dB across subjects. Despite the substantial reduction in the response to the signal, the results suggest that suppression has a minimal effect on the slope of the masking function at mid levels. Rather, upward spread of masking seems to be mainly determined by the compressive basilar-membrane response to the signal in relation to the linear response to the lower-frequency masker.

Acoustic Stimulation↗

PubMed2005

Cochlear compression in listeners with moderate sensorineural hearing loss.

Psychophysical estimates of basilar membrane (BM) responses suggest that normal-hearing (NH) listeners exhibit constant compression for tones at the characteristic frequency (CF) across the CF range from 250 to 8000 Hz. The frequency region over which compression occurs is broadest for low CFs. This study investigates the extent that these results differ for three hearing-impaired (HI) listeners with sensorineural hearing loss. Temporal masking curves (TMCs) were measured over a wide range of probe (500-8000 Hz) and masker frequencies (0.5-1.2 times the probe frequency). From these, estimated BM response functions were derived and compared with corresponding functions for NH listeners. Compressive responses for tones both at and below CF occur for the three HI ears across the CF range tested. The maximum amount of compression was uncorrelated with absolute threshold. It was close to normal for two of the three HI ears, but was either slightly (at CFs < or =1000 Hz) or considerably (at CFs > or =4000 Hz) reduced for the third ear. Results are interpreted in terms of the relative damage to inner and outer hair cells affecting each of the HI ears. Alternative interpretations for the results are also discussed, some of which cast doubts on the assumptions of the TMC-based method and other behavioral methods for estimating human BM compression.

Acoustic Stimulation↗

PubMed2005

Dominance region for pitch: effects of duration and dichotic presentation.

The dominance region (DR) for pitch was determined for 16- and 200-ms complex tones containing the first seven harmonics of a fundamental frequency (F0) of 250 Hz. A tone was presented with one of the harmonics mistuned upwards or downwards by 3%, followed 500 ms later by a perfectly harmonic tone of the same duration. Listeners adjusted the F0 of the harmonic tone so that its pitch matched that of the mistuned complex. In experiment 1, stimuli were presented monaurally. The DR was significantly higher in harmonic number for the short than for the long duration. The overall sum of the pitch shifts produced by all harmonics was significantly larger for the short than for the long duration, presumably due to stronger perceptual fusion for the former. In experiment 2, the mistuned harmonic was presented only contralaterally to the remainder of the complex. A similar shift in the DR with duration was observed, although the pitch shifts were smaller than for monaural presentation. There was no significant effect of duration on the overall pitch shifts. The results are discussed in terms of pattern recognition and autocorrelation models of pitch perception, and a role of attention in pitch matching is suggested.

Acoustic Stimulation↗

PubMed2005

Pitch shifts for complex tones with unresolved harmonics and the implications for models of pitch perception.

Complex tone bursts were bandpass filtered, 22nd-30th harmonic, to produce waveforms with five regularly occurring envelope peaks ("pitch pulses") that evoked pitches associated with their repetition period. Two such tone bursts were presented sequentially and separated by an interpulse interval (IPI). When the IPI was varied, the pitch of the whole sequence was shifted by between +2% and -5%. When the IPI was greater than one period, little effect was seen. This is consistent with a pitch mechanism employing a long integration time for continuous stimuli that resets in response to temporal discontinuities of greater than about one period of the waveform. Similar pitch shifts were observed for fundamental frequencies from 100 to 250 Hz. The pitch shifts depended on the IPI duration relative to the period of the complex, not on the absolute IPI duration. The pitch shifts are inconsistent with the autocorrelation model of Meddis and O'Mard [J. Acoust. Soc. Am. 102, 1811-1820 (1997)], although a modified version of the weighted mean-interval model of Carlyon et al. [J. Acoust. Soc. Am. 112, 621-633 (2002)] was successful. The pitch shifts suggest that, when two pulses occur close together, one of the pulses is ignored on a probabilistic basis.

Acoustic Stimulation↗

PubMed2005

Psychophysical tuning curves at very high frequencies.

For most normal-hearing listeners, absolute thresholds increase rapidly above about 16 kHz. One hypothesis is that the high-frequency limit of the hearing-threshold curve is imposed by the transmission characteristics of the middle ear, which attenuates the sound input [Masterton et al., J. Acoust. Soc. Am. 45, 966-985 (1969)]. An alternative hypothesis is that the high-frequency limit of hearing is imposed by the tonotopicity of the cochlea [Ruggero and Temchin, Proc. Nat. Acad. Sci. U.S.A. 99, 13206-13210 (2002)]. The aim of this study was to test these hypotheses. Forward-masked psychophysical tuning curves (PTCs) were derived for signal frequencies of 12-17.5 kHz. For the highest signal frequencies, the high-frequency slopes of some PTCs were steeper than the slope of the hearing-threshold curve. The results also show that the human auditory system displays frequency selectivity for characteristic frequencies (CFs) as high as 17 kHz, above the frequency at which absolute thresholds begin to increase rapidly. The findings suggest that, for CFs up to 17 kHz, the high-frequency limitation in humans is imposed in part by the middle-ear attenuation, and not by the tonotopicity of the cochlea.

Acoustic Stimulation↗

PubMed2005

Reduced contribution of a nonsimultaneous mistuned harmonic to residue pitch.

Ciocca and Darwin [V. Ciocca and C. J. Darwin, J. Acoust. Soc. Am. 105, 2421-2430 (1999)] reported that the shift in residue pitch caused by mistuning a single harmonic (the fourth out of the first 12) was the same when the mistuned harmonic was presented after the remainder of the complex as when it was simultaneous, even though subjects were asked to ignore the pure-tone percept. The present study tried to replicate this result, and investigated the role of the presence of the nominally mistuned harmonic in the matching sound. Subjects adjusted a "matching" sound so that its pitch equaled that of a subsequent 90-ms complex tone (12 harmonics of a 155-Hz F0), whose mistuned (+/-3%) third harmonic was presented either simultaneously with or after the remaining harmonics. In experiment 1, the matching sound was a harmonic complex whose third harmonic was either present or absent. In experiments 2A and 2B, the target and matching sound had nonoverlapping spectra. Pitch shifts were reduced both when the mistuned component was nonsimultaneous, and when the third harmonic was absent in the matching sound. The results indicate a shorter than originally estimated time window for obligatory integration of nonsimultaneous components into a virtual pitch.

Acoustic Stimulation↗

PubMed2004

Inferred basilar-membrane response functions for listeners with mild to moderate sensorineural hearing loss.

Psychophysical estimates of cochlear function suggest that normal-hearing listeners exhibit a compressive basilar-membrane (BM) response. Listeners with moderate to severe sensorineural hearing loss may exhibit a linearized BM response along with reduced gain, suggesting the loss of an active cochlear mechanism. This study investigated how the BM response changes with increasing hearing loss by comparing psychophysical measures of BM compression and gain for normal-hearing listeners with those for listeners who have mild to moderate sensorineural hearing loss. Data were collected from 16 normal-hearing listeners and 12 ears from 9 hearing-impaired listeners. The forward masker level required to mask a fixed low-level, 4000-Hz signal was measured as a function of the masker-signal interval using a masker frequency of either 2200 or 4000 Hz. These plots are known as temporal masking curves (TMCs). BM response functions derived from the TMCs showed a systematic reduction in gain with degree of hearing loss. Contrary to current thinking, however, no clear relationship was found between maximum compression and absolute threshold.

Adult↗

PubMed2004

Across-frequency interference effects in fundamental frequency discrimination: questioning evidence for two pitch mechanisms.

Carlyon and Shackleton [J. Acoust. Soc. Am. 95, 3541-3554 (1994)] presented an influential study supporting the existence of two pitch mechanisms, one for complex tones containing resolved and one for complex tones containing only unresolved components. The current experiments provide an alternative explanation for their finding, namely the existence of across-frequency interference in fundamental frequency (F0) discrimination. Sensitivity (d') was measured for F0 discrimination between two sequentially presented 400 ms complex (target) tones containing only unresolved components. In experiment 1, the target was filtered between 1375 and 15,000 Hz, had a nominal F0 of 88 Hz, and was presented either alone or with an additional complex tone ("interferer"). The interferer was filtered between 125-625 Hz, and its F0 varied between 88 and 114.4 Hz across blocks. Sensitivity was significantly reduced in the presence of the interferer, and this effect decreased as its F0 was moved progressively further from that of the target. Experiment 2 showed that increasing the level of a synchronously gated lowpass noise that spectrally overlapped with the interferer reduced this "pitch discrimination interference (PDI)". In experiment 3A, the target was filtered between 3900 and 5400 Hz and had an F0 of either 88 or 250 Hz. It was presented either alone or with an interferer, filtered between 1375 and 1875 Hz with an F0 corresponding to the nominal target F0. PDI was larger in the presence of the resolved (250 Hz F0) than in the presence of the unresolved (88 Hz F0) interferer, presumably because the pitch of the former was more salient than that of the latter. Experiments 4A and 4B showed that PDI was reduced but not eliminated when the interferer was gated on 200 ms before and off 200 ms after the target, and that some PDI was observed with a continuous interferer. The current findings provide an alternative interpretation of a study supposedly providing strong evidence for the existence of two pitch mechanisms.

Adult↗

PubMed2003

Forward masking additivity and auditory compression at low and high frequencies.

The additivity of nonsimultaneous masking can be used as a measure of nonlinearity in the auditory system. For example, two equally effective forward maskers should produce 3 dB of additional masking when they are combined, assuming linearity with respect to intensity. A combined effect greater than this (excess masking) indicates compression. In the present experiments, the signal was a 10-ms pure tone presented 20 ms after a 200-ms narrowband noise masker and/or immediately after a 20-ms narrow-band noise masker. The signal frequency was 250, 500, or 4000 Hz. The signal threshold produced by combining two equally effective maskers was measured. At all three frequencies, little excess masking was observed for a signal 10 dB above absolute threshold, indicating linear additivity (no compression). At signal levels 30 dB above absolute threshold, excess masking was observed at all three frequencies. The estimated compression exponents were 0.29 at 250 Hz, 0.34 at 500 Hz, and 0.17 at 4000 Hz. In contrast with physiological studies on other mammals, the present results provide evidence for substantial compression at low frequencies in humans.

Acoustic Stimulation↗

PubMed2003

Cross-modal and non-sensory influences on auditory streaming.

Carlyon et al (2001 Journal of Experimental Psychology: Human Perception and Performance 27 115-127) have reported that the buildup of auditory streaming is reduced when attention is diverted to a competing auditory stimulus. Here, we demonstrate that a reduction in streaming can also be obtained by attention to a visual task or by the requirement to count backwards in threes. In all conditions participants heard a 13 s sequence of tones, and, during the first 10 s saw a sequence of visual stimuli containing three, four, or five targets. The tone sequence consisted of twenty repeating triplets in an ABA - ABA ... order, where A and B represent tones of two different frequencies. In each sequence, three, four, or five tones were amplitude modulated. During the first 10 s of the sequence, participants either counted the number of visual targets, counted the number of (modulated) auditory targets, or counted backwards in threes from a specified number. They then made an auditory-streaming judgment about the last 3 s of the tone sequence: whether one or two streams were heard. The results showed more streaming when participants counted the auditory targets (and hence were attending to the tones throughout) than in either the 'visual' or 'counting-backwards' conditions.

Acoustic Stimulation↗

PubMed2003

Cochlear nonlinearity between 500 and 8000 Hz in listeners with normal hearing.

Cochlear nonlinearity was estimated over a wide range of center frequencies and levels in listeners with normal hearing, using a forward-masking method. For a fixed low-level probe, the masker level required to mask the probe was measured as a function of the masker-probe interval, to produce a temporal masking curve (TMC). TMCs were measured for probe frequencies of 500, 1000, 2000, 4000, and 8000 Hz, and for masker frequencies 0.5, 0.7, 0.9, 1.0 (on frequency), 1.1, and 1.6 times the probe frequency. Across the range of probe frequencies, the TMCs for on-frequency maskers showed two or three segments with clearly distinct slopes. If it is assumed that the rate of decay of the internal effect of the masker is constant across level and frequency, the variations in the slopes of the TMCs can be attributed to variations in cochlear compression. Compression-ratio estimates for on-frequency maskers were between 3:1 and 5:1 across the range of probe frequencies. Compression did not decrease at low frequencies. The slopes of the TMCs for the lowest frequency probe (500 Hz) did not change with masker frequency. This suggests that compression extends over a wide range of stimulus frequencies relative to characteristic frequency in the apical region of the cochlea.

Adult↗

PubMed2003

Psychophysical evidence for auditory compression at low characteristic frequencies.

Psychophysical estimates of compression often assume that the basilar-membrane response to frequencies well below characteristic frequency (CF) is linear. Two techniques for estimating compression are described here that do not depend on this assumption at low CFs. In experiment 1, growth of forward masking was measured for both on- and off-frequency pure-tone maskers for pure-tone signals at 250, 500, and 4000 Hz. The on- and off-frequency masking functions at 250 and 500 Hz were just as shallow as the on-frequency masking function at 4000 Hz. In experiment 2, the forward masker level required to mask a fixed low-level signal was measured as a function of the masker-signal interval. The slopes of these functions did not differ between signal frequencies of 250 and 4000 Hz for the on-frequency maskers. At 250 Hz, the slope for the 150-Hz masker was almost as steep as that for the on-frequency masker, whereas at 4000 Hz the slope for the 2400-Hz masker was much shallower than that for the on-frequency masker. The results suggest that there is substantial compression, of around 0.2-0.3 dB/dB, at low CFs in the human auditory system. Furthermore, the results suggest that at low CFs compression does not vary greatly with stimulation frequency relative to CF.

Adult↗

PubMed2003

The effects of a high-frequency suppressor on tuning curves and derived basilar-membrane response functions.

Forward-masked psychophysical tuning curves were obtained using a fixed, low-level signal at a frequency of 4 kHz, and masker frequencies of 2.0, 2.5, 3.0, 3.5, 3.75, 4.0, 4.25, 4.5, 4.75, 5.0, and 5.5 kHz, at masker-signal gaps of 20, 30, 40, 60, 80, and 100 ms. An adaptive two-interval, two alternative forced-choice (21-2AFC) procedure was used to obtain the masker level at threshold. This procedure was repeated with the addition of a 4.75-kHz suppressor at 50 or 60 dB SPL, gated with the masker. Tuning curves were broader, and estimates of compression and gain from derived input/output functions were decreased in the presence of a suppressor as compared to the no-suppressor condition. The results are consistent with physiological results, which show that suppression leads to a broadening of tuning curves and a partial linearization of the midlevel portion of the basilar-membrane input/output function.

Acoustic Stimulation↗

PubMed2003

Factors affecting the duration effect in pitch perception for unresolved complex tones.

Previous research has shown that fundamental frequency (F0) discrimination thresholds for complex tones containing unresolved harmonics decrease as the duration of the tone increases [White and Plack, J. Acoust. Soc. Am. 103, 2051-2063 (1998)]. In this paper F0 discrimination was measured as a function of duration for complexes with F0s of 62.5, 125, and 250 Hz, bandpass filtered into two spectral regions (2750-3750 and 5500-7500 Hz). The harmonics were summed either in sine phase (SINE) or with alternating sine-cosine phase (ALT), which affects the envelope of the waveform and the pitch of the complex. Tone duration was 20, 40, 80, and 160 ms. The improvement in F0 discrimination with duration increased with decreasing F0. When harmonics where spectrally filtered between 2750 and 3750 Hz, for complexes with an F0 of 62.5 Hz, F0 discrimination thresholds decreased from approximately 30% for a 20-ms tone to approximately 3% for a 160-ms tone. For complexes with an F0 of 250 Hz, thresholds decreased from 3% for a 20-ms tone to 1% for a 160-ms tone: a lower envelope repetition rate led to a larger change in performance with increasing duration. The phase manipulation also affected the size of the duration effect, in that the effect was less for an ALT complex compared to a SINE complex with the same F0, consistent with the change in envelope repetition rate. Overall, the results suggest that for unresolved complex tones it is primarily envelope repetition rate, not spectral region, that determines both the F0 discrimination threshold and the size of the duration effect.

Adult↗