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Daniel L Lau

Publications and source records attributed to Daniel L Lau.

3 recordsLinked to original sources

Blue-noise halftoning for hexagonal grids.

In this paper, we closely scrutinize the spatial and spectral properties of aperiodic halftoning schemes on rectangular and hexagonal sampling grids. Traditionally, hexagonal sampling grids have been shunned due to their inability to preserve the high-frequency components of blue-noise dither patterns at gray-levels near one-half, but as will be shown, only through the introduction of diagonal correlations between dots can even rectangular sampling grids preserve these frequencies. And by allowing the sampling grid to constrain the placement of dots, a particular algorithm may introduce visual artifacts just as disturbing as excess energy below the principal frequency. If, instead, the algorithm maintains radial symmetry by introducing a minimum degree of clustering, then that algorithm can maintain its grid defiance illusion fundamental to the spirit of the blue-noise model. As such, this paper shows that hexagonal grids are preferrable because they can support gray-levels near one-half with less required clustering of minority pixels and a higher principal frequency. Along with a thorough Fourier analysis of blue-noise dither patterns on both rectangular and hexagonal sampling grids, this paper also demonstrates the construction of a blue-noise dither array for hexagonal grids.

Algorithms↗

High-fidelity lenticular screening by means of iterative tone correction.

Digital halftoning is the process of converting a continuous-tone image into an arrangement of printed and not-printed dots distributed to create an illusion of continuous tone. Traditional halftoning algorithms are inappropriate for lenticular screening where multiple images are columnwise multiplexed into a single image with statistically independent gray levels across neighboring columns. As a means of minimizing intercolumn distortion, we introduce iterative tone correction where gray levels of the spliced image are modified to account for dot overlap. The principal advantage of this new technique is that it preserves the ability to use a traditional, stochastic, halftoning algorithm on the component images prior to spatial multiplexing.

Journal Article↗

Minimizing stochastic moiré in frequency-modulated halftones by means of green-noise masks.

In color halftoning, moiré is the low-frequency spatial artifact generated by the interference of superimposed primary color dot screens that adds an unwanted artificial texture to the printed image. When these overlapping dot screens are irregular, as in the case of stochastic dot screens, this interference pattern follows a random spatial distribution resulting in 'stochastic" moiré. This stochastic moiré is at its most visible when the overlapping dither patterns have the same relative spacing between dots. We study the occurrence of stochastic moiré in green-noise halftones where dither patterns are composed of clusters of varying sizes and where the visibility of stochastic moiré6 can be reduced by varying the coarseness of dither patterns between the component cyan, magenta, yellow, and black colors.

Journal Article↗