Biomedical subjects

E Glenn Schellenberg

Publications and source records attributed to E Glenn Schellenberg.

12 recordsLinked to original sources

PubMed2006

Song recognition by children and adolescents with cochlear implants.

PURPOSE: To assess song recognition and pitch perception in prelingually deaf individuals with cochlear implants (CIs). METHOD: Fifteen hearing children (5-8 years) and 15 adults heard different versions of familiar popular songs-original (vocal + instrumental), original instrumental, and synthesized melody versions-and identified the song in a closed-set task (Experiment 1). Ten CI users (8-18 years) and age-matched hearing listeners performed the same task (Experiment 2). Ten CI users (8-19 years) and 10 hearing 8-years-olds were required to detect pitch changes in repeating-tone contexts (Experiment 3). Finally, 8 CI users (6-19 years) and 13 hearing 5-year-olds were required to detect subtle pitch changes in a more challenging melodic context (Experiment 4). RESULTS: CI users performed more poorly than hearing listeners in all conditions. They succeeded in identifying the original and instrumental versions of familiar recorded songs, and they evaluated them favorably, but they could not identify the melody versions. Although CI users could detect a 0.5-semitone change in the simple context, they failed to detect a 1-semitone change in the more difficult melodic context. CONCLUSION: Current implant processors provide insufficient spectral detail for some aspects of music perception, but they do not preclude young implant users' enjoyment of music.

Adolescent↗

PubMed2006

Infants' memory for musical performances.

We evaluated 6- and 7-month-olds' preference and memory for expressive recordings of sung lullabies. In Experiment 1, both age groups preferred lower-pitched to higher-pitched renditions of unfamiliar lullabies. In Experiment 2, infants were tested after 2 weeks of daily exposure to a lullaby at one pitch level. Seven-month-olds listened significantly longer to the lullaby at a novel pitch level than at the original pitch level. Six-month-olds showed no preference but their low-pitch preference was eliminated. We conclude that infants' memory for musical performances is enhanced by the ecological validity of the materials. Moreover, infants' pitch preferences are influenced by their previous exposure and by the nature of the music.

Child Development↗

PubMed2005

Children's implicit knowledge of harmony in Western music.

Three experiments examined children's knowledge of harmony in Western music. The children heard a series of chords followed by a final, target chord. In Experiment 1, French 6- and 11-year-olds judged whether the target was sung with the vowel /i/ or /u/. In Experiment 2, Australian 8- and 11-year-olds judged whether the target was played on a piano or a trumpet. In Experiment 3, Canadian 8- and 11-year-olds judged whether the target sounded good (i.e. consonant) or bad (dissonant). The target was either the most stable chord in the established musical key (i.e. the tonic, based on do, the first note of the scale) or a less stable chord. Performance was faster (Experiments 1, 2 and 3) and more accurate (Experiment 3) when the target was the tonic chord. The findings confirm that children have implicit knowledge of syntactic functions that typify Western harmony.

Analysis of Variance↗

PubMed2005

Music listening and cognitive abilities in 10- and 11-year-olds: the blur effect.

The spatial abilities of a large sample of 10 and 11 year olds were tested after they listened to contemporary pop music, music composed by Mozart, or a discussion about the present experiment. After being assigned at random to one of the three listening experiences, each child completed two tests of spatial abilities. Performance on one of the tests (square completion) did not differ as a function of the listening experience, but performance on the other test (paper folding) was superior for children who listened to popular music compared to the other two groups. These findings are consistent with the view that positive benefits of music listening on cognitive abilities are most likely to be evident when the music is enjoyed by the listener.

Acoustic Stimulation↗

PubMed2005

Music recognition by Japanese children with cochlear implants.

Congenitally deaf Japanese children with cochlear implants were tested on their recognition of theme songs from television programs that they watched regularly. The children, who were 4-9 years of age, attempted to identify each song from a closed set of alternatives. Their song identification ability was examined in the context of the original commercial recordings (vocal plus instrumental), the original versions without the words (i.e., karaoke versions), and flute versions of the melody. The children succeeded in identifying the music only from the original versions, and their performance was related to their music listening habits. Children gave favorable appraisals of the music even when they were unable to recognize it. Further research is needed to find means of enhancing cochlear implants users' perception and appreciation of music.

Auditory Perception↗

PubMed2004

Liking and memory for musical stimuli as a function of exposure.

Three experiments examined changes in liking and memory for music as a function of number of previous exposures, the ecological validity of the music, and whether the exposure phase required focused or incidental listening. After incidental listening, liking ratings were higher for music heard more often in the exposure phase and this association was stronger as ecological validity increased. After focused listening, liking ratings followed an inverted U-shaped function of exposure for the most ecologically valid stimuli (initial increases followed by decreases), but this curvilinear function was attenuated or nonexistent for less valid stimuli. In general, recognition improved as a function of previous exposure for focused listeners, but the effect was attenuated or absent for incidental listeners.

Association Learning↗

PubMed2004

Decoding speech prosody: do music lessons help?

Three experiments revealed that music lessons promote sensitivity to emotions conveyed by speech prosody. After hearing semantically neutral utterances spoken with emotional (i.e., happy, sad, fearful, or angry) prosody, or tone sequences that mimicked the utterances' prosody, participants identified the emotion conveyed. In Experiment 1 (n=20), musically trained adults performed better than untrained adults. In Experiment 2 (n=56), musically trained adults outperformed untrained adults at identifying sadness, fear, or neutral emotion. In Experiment 3 (n=43), 6-year-olds were tested after being randomly assigned to 1 year of keyboard, vocal, drama, or no lessons. The keyboard group performed equivalently to the drama group and better than the no-lessons group at identifying anger or fear.

Adult↗

PubMed2004

Music lessons enhance IQ.

The idea that music makes you smarter has received considerable attention from scholars and the media. The present report is the first to test this hypothesis directly with random assignment of a large sample of children (N = 144) to two different types of music lessons (keyboard or voice) or to control groups that received drama lessons or no lessons. IQ was measured before and after the lessons. Compared with children in the control groups, children in the music groups exhibited greater increases in full-scale IQ. The effect was relatively small, but it generalized across IQ subtests, index scores, and a standardized measure of academic achievement. Unexpectedly, children in the drama group exhibited substantial pre- to post-test improvements in adaptive social behavior that were not evident in the music groups.

Adaptation, Psychological↗

PubMed2003

Implicit learning in children and adults with Williams syndrome.

In comparison to explicit learning, implicit learning is hypothesized to be a phylogenetically older form of learning that is important in early developmental processes (e.g., natural language acquisition, socialization)and relatively impervious to individual differences in age and IQ. We examined implicit learning in a group of children and adults (9.49 years of age)with Williams syndrome (WS)and in a comparison group of typically developing individuals matched for chronological age. Participants were tested in an artificial-grammar learning paradigm and in a rotor-pursuit task. For both groups, implicit learning was largely independent of age. Both groups showed evidence of implicit learning but the comparison group outperformed the WS group on both tasks. Performance advantages for the comparison group were no longer significant when group differences in working memory or nonverbal intelligence were held constant.

Adolescent↗

PubMed2003

Good pitch memory is widespread.

Here we show that good pitch memory is widespread among adults with no musical training. We tested unselected college students on their memory for the pitch level of instrumental soundtracks from familiar television programs. Participants heard 5-s excerpts either at the original pitch level or shifted upward or downward by 1 or 2 semitones. They successfully identified the original pitch levels. Other participants who heard comparable excerpts from unfamiliar recordings could not do so. These findings reveal that ordinary listeners retain fine-grained information about pitch level over extended periods. Adults' reportedly poor memory for pitch is likely to be a by-product of their inability to name isolated pitches.

Adult↗

PubMed2003

Perceiving prosody in speech. Effects of music lessons.

In two experiments, musically trained and untrained adults were tested on their ability to match spoken utterances with their tonal analogues (tone sequences that retained the pitch and temporal patterns of the utterances). In both cases, musical training was associated with superior performance, indicating an enhanced ability to extract prosodic information from spoken phrases.

Brain↗

PubMed2002

Expectancy in melody: tests of children and adults.

Melodic expectancies among children and adults were examined. In Experiment 1, adults, 11-year-olds, and 8-year-olds rated how well individual test tones continued fragments of melodies. In Experiment 2, 11-, 8-, and 5-year-olds sang continuations to 2-tone stimuli. Response patterns were analyzed using 2 models of melodic expectancy. Despite having fewer predictor variables, the 2-factor model (E. G. Schellenberg, 1997) equaled or surpassed the implication-realization model (E. Narmour, 1990) in predictive accuracy. Listeners of all ages expected the next tone in a melody to be proximate in pitch to the tone heard most recently. Older listeners also expected reversals of pitch direction, specifically for tones that changed direction after a disruption of proximity and for tones that formed symmetric patterns.

Adolescent↗