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Elyse S Sussman

Publications and source records attributed to Elyse S Sussman.

2 recordsLinked to original sources

Organization of sequential sounds in auditory memory.

A repeating five-tone pattern was presented at several stimulus rates (200, 400, 600, and 800 ms onset-to-onset) to determine at what temporal proximity the five-tone repeating unit would be represented in memory. The mismatch negativity component of event-related brain potentials was used to index how the sounds were organized in memory when participants had no task with the sounds. Only at the 200-ms onset-to-onset pace was the five-tone sequence unitized in memory. At presentation rates of 400 ms and above, the regularity (a different frequency tone occurred every fifth tone) was not detected and mismatch negativity was elicited by these tones in the sequence. The results show that temporal proximity plays a role in unitizing successive sounds in auditory memory. These results also suggest that global relationships between successive sounds are represented at the level of auditory cortices.

Acoustic Stimulation↗

Integration and segregation in auditory scene analysis.

Assessment of the neural correlates of auditory scene analysis, using an index of sound change detection that does not require the listener to attend to the sounds [a component of event-related brain potentials called the mismatch negativity (MMN)], has previously demonstrated that segregation processes can occur without attention focused on the sounds and that within-stream contextual factors influence how sound elements are integrated and represented in auditory memory. The current study investigated the relationship between the segregation and integration processes when they were called upon to function together. The pattern of MMN results showed that the integration of sound elements within a sound stream occurred after the segregation of sounds into independent streams and, further, that the individual streams were subject to contextual effects. These results are consistent with a view of auditory processing that suggests that the auditory scene is rapidly organized into distinct streams and the integration of sequential elements to perceptual units takes place on the already formed streams. This would allow for the flexibility required to identify changing within-stream sound patterns, needed to appreciate music or comprehend speech.

Acoustic Stimulation↗