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Harold Hill

Publications and source records attributed to Harold Hill.

2 recordsLinked to original sources

Recognising facial expression from spatially and temporally modified movements.

We examined how the recognition of facial emotion was influenced by manipulation of both spatial and temporal properties of 3-D point-light displays of facial motion. We started with the measurement of 3-D position of multiple locations on the face during posed expressions of anger, happiness, sadness, and surprise, and then manipulated the spatial and temporal properties of the measurements to obtain new versions of the movements. In two experiments, we examined recognition of these original and modified facial expressions: in experiment 1, we manipulated the spatial properties of the facial movement, and in experiment 2 we manipulated the temporal properties. The results of experiment 1 showed that exaggeration of facial expressions relative to a fixed neutral expression resulted in enhanced ratings of the intensity of that emotion. The results of experiment 2 showed that changing the duration of an expression had a small effect on ratings of emotional intensity, with a trend for expressions with shorter durations to have lower ratings of intensity. The results are discussed within the context of theories of encoding as related to caricature and emotion.

Caricatures as Topic↗

Comparing solid-body with point-light animations.

The movement of faces provides useful information for a variety of tasks and is now an active area of research. We compare here two ways of presenting face motion in experiments: as solid-body animations and as point-light displays. In the first experiment solid-body and point-light animations, based on the same motion-captured marker data, produced similar levels of performance on a sex-judgment task. The trend was for an advantage for the point-light displays, probably in part because of residual spatial cues available in such stimuli. In the second experiment we compared spatially normalised point-light displays of marker data with solid-body animations and pseudorandom point-light animations. Performance with solid-body animations and normalised point-light displays was similar and above chance, while performance with the pseudorandom point-light stimuli was not above chance. We conclude that both relatively few well-placed points and solid-body animations provide useful information about facial motion, but that a greater number of randomly placed points does not support above-chance performance. Solid-body animations have the methodological advantages of reducing the importance of marker placement and are more effective in isolating motion information, even if they are subsequently rendered as point-light displays.

Cues↗