Biomedical subjects

Henkjan Honing

Publications and source records attributed to Henkjan Honing.

5 recordsLinked to original sources

PubMed2006

Evidence for tempo-specific timing in music using a web-based experimental setup.

Perceptual invariance has been studied and found in several domains of cognition, including those of speech, motor behavior, and object motion. It has also been the topic of several studies in music perception. However, the existing perceptual studies present rather inconclusive evidence with regard to the perceptual invariance of expressive timing under tempo transformation in music performance. The current study used a novel experimental methodology that took advantage of new technologies, such as an online Internet setup, high-quality audio, and state-of-the-art tempo-transformation techniques. The results show that listeners could detect which was the original performance when asked to compare 2 recordings, 1 of which was tempo-transformed to make both similar in overall tempo. This result is taken as support for the tempo-specific timing hypothesis--which predicts that a tempo-transformed performance will sound less natural than an original performance--and as counterevidence for the relationally invariant timing hypothesis, which predicts that a tempo-transformed performance will sound equally natural.

Auditory Perception↗

PubMed2005

Expectancy effects on omission evoked potentials in musicians and non-musicians.

Abstract An expanded omitted stimulus paradigm was investigated to determine whether expectancy would modulate the amplitude of the omission evoked potentials (OEPs). In addition, we examined the effects of musical expertise on OEPs. Trials started with 3-7 beats randomly and contained 5 omitted beats. Three types of trials (n = 90) were presented with 1, 2, or 3 beats occurring between omissions. A tap response at the end of each trial was used to determine timing accuracy. Clear OEPs were observed over midline sites. We found main omission effects with respect to an N150 and a P400 OEPs component, such that peak amplitudes diminished whenever the occurrence of an omitted stimulus could be expected. In addition, an N600 OEPs component emerged in response to expectedly omitted stimuli toward the end of each trial within the group of musicians. Thus, musical training seems to lead to more efficient and more refined processing of auditory temporal patterns.

Adult↗

PubMed2004

Rhythmic context influences the auditory evoked potentials of musicians and non-musicians.

In this study, we investigated how rhythms are processed in the brain by measuring both behaviourally obtained ratings and auditory evoked potentials (AEPs) from the EEG. We presented probe beats on seven positions within a test bar. Two bars of either a duple- or triple meter rhythm preceded probe beats. We hypothesised that sequential processing would lead to meter effects at the 1/3 and 1/2bar positions, whereas hierarchical processing would lead to context effects on the 1/3, 1/2 and 2/3bar positions. We found that metric contexts affected behavioural ratings. This effect was more pronounced for rhythmic experts. In addition, both the AEP P3a and P3b component could be identified. Though metric context affected the P3a amplitudes, group effects were less clear. We found that the AEP P3a component is sensitive to violation of temporal expectancies. In addition, behavioural data and P3a correlation coefficients (CCs) suggest that temporal patterns are processed sequentially in nonmusicians but are processed in a hierarchical way in rhythmic experts.

Adult↗

PubMed2003

The formation of rhythmic categories and metric priming.

Two experiments on categorical rhythm perception are reported, the object of which was to investigate how listeners perceive discrete rhythmic categories while listening to rhythms performed on a continuous time scale. This is studied by considering the space of all temporal patterns (all possible rhythms made up of three intervals) and how they, in perception, are partitioned into categories, ie where the boundaries of these categories are located. This process of categorisation is formalised as the mapping from the continuous space of a series of time intervals to a discrete, symbolic domain of integer-ratio sequences. The methodological framework uses concepts from mathematics and psychology (eg convexity and entropy) that allow precise characterisations of the empirical results. In the first experiment, twenty-nine participants performed an identification task with 66 rhythmic stimuli (a systematic sampling of the performance space). The results show that listeners do not just perceive the time intervals between onsets of sounds as placed in a homogeneous continuum. Instead, they can reliably identify rhythmic categories, as a chronotopic time clumping map reveals. In a second experiment, the effect of metric priming was studied by presenting the same stimuli but preceded with a duple or triple metre subdivision. It is shown that presenting patterns in the context of a metre has a large effect on rhythmic categorisation: the presence of a specific musical metre primes the perception of specific rhythmic patterns.

Auditory Perception↗

PubMed2003

Evoked potentials to test rhythm perception theories.

The general aim of this study was to investigate how rhythmic information is processed by the brain and how a mental representation of a rhythm leads to expectancies about events in the near future. We investigate this by means of EEG recordings from which evoked potentials (EPs), resulting from sensory and cognitive neural activity, are extracted.

Auditory Perception↗