Biomedical subjects

Johan Sundberg

Publications and source records attributed to Johan Sundberg.

At least 19 recordsLinked to original sources

PubMed2006

Effects of professional singing education on vocal vibrato--a longitudinal study.

Vocal vibrato is regarded as one of the essential characteristics of voice quality in classical singing. Professional singers seem to develop vibrato automatically, without actively striving to acquire it. In this longitudinal investigation, the vocal vibrato of 22 singing students was examined at the beginning of and after 3 years of professional singing education. Subjects sang an ascending-descending triad pattern in slow tempo on vowel [a:] at a comfortable pitch level twice at soft (piano) and twice at medium (mezzoforte) loudness. The top note of the triad pattern was sustained for approximately 5s. The mean and the standard deviation (SD) of the vibrato rate were measured for this note. Results revealed that after 3 years of training, voices with vibrato slower than 5.2 Hz were found to have a faster vibrato, and voices with vibrato faster than 5.8 Hz were found to have a slower vibrato. Standard deviation of vibrato rate was higher in soft than in medium loudness, particularly before the education. Also high values of SD of vibrato rate, exceeding 0.65 Hz, had decreased after the education. These findings confirm that vibrato characteristics can be affected by singing education.

Adult↗

PubMed2006

When does a sung tone start?

Although the consonant is mostly considered as the start of a syllable in phonetics and orthography, musicians generally agree that the vowel onset in singing should be synchronized with the beat. As a test of this assumption, the current investigation analyzes the time interval between vowel onsets and piano accompaniment onsets in a set of songs performed by international vocal artists and published on commercial CD recordings. The results show that, most commonly, the accompanists synchronized their tones with the singers' vowel onsets. Nevertheless, examples of lead and lag were found, probably made for expressive purposes. The lead and lag varied greatly between songs, being smallest in a song performed in a fast tempo and longest in a song performed in a slow tempo.

Humans↗

PubMed2006

Experimental findings on the nasal tract resonator in singing.

SUMMARY: Many professional operatic singers sing the vowel /a/ with a velopharyngeal opening.(1) Here resonatory effects of such an opening are analyzed. On the basis of CAT scan imaging of a baritone singer's vocal tract and nasal cavity system, including the maxillary sinuses, acoustic epoxy models were constructed, in which velopharyngeal openings were modeled by different tubes. The sound transfer characteristics of this model were determined by means of sine-tone sweep measurements. In an idealized (iron tube) model, the VPO introduced a zero in the transfer function at the frequency of the nasal resonance. In the epoxy models, however, the resonances of the nasal system, and hence the zero, were heavily damped, particularly when the maxillary sinuses were included in the nasal system. A velopharyngeal opening was found to attenuate the first formant in /a/, such that the relative level of the singer's formant increased. A similar effect was observed in a modified epoxy model shaped to approximate the vocal tract of an /u/ and an /i/, although it also showed a substantial widening of the first formant bandwidth. Varying the size of the velopharyngeal opening affected the transfer function only slightly. It seems likely that singers can enhance higher spectrum partials by a careful tuning of a velopharyngeal opening.

Humans↗

PubMed2006

Comparison of two inverse filtering methods in parameterization of the glottal closing phase characteristics in different phonation types.

SUMMARY: Inverse filtering (IF) is a common method used to estimate the source of voiced speech, the glottal flow. This investigation aims to compare two IF methods: one manual and the other semiautomatic. Glottal flows were estimated from speech pressure waveforms of six female and seven male subjects producing sustained vole /a/ in breathy, normal, and pressed phonation. The closing phase characteristics of the glottal pulse were parameterized using two time-based parameters: the closing quotient (C1Q) and the normalized amplitude quotient (NAQ). The information given by these two parameters indicates a strong correlation between the two IF methods. The results are encouraging in showing that the parameterization of the voice source in different speech sounds can be performed independently of the technique used for inverse filtering.

Adult↗

PubMed2006

Subglottal pressure and normalized amplitude quotient variation in classically trained baritone singers.

The subglottal pressure (Ps) and voice source characteristics of five professional baritone singers have been analyzed and the normalized amplitude quotient (NAQ), defined as the ratio between peak-to-peak pulse amplitude and the negative peak of the differentiated flow glottogram and normalized with respect to the period time, was used as an estimate of glottal adduction. The relationship between Ps and NAQ has been investigated in female subjects in two earlier studies. One of these revealed NAQ differences between both singing styles and phonation modes, and the other, based on register differences in female musical theatre singers, showed that NAQ differed between registers for the same Ps value. These studies thus suggest that NAQ and its variation with Ps represent a useful parameter in the analysis of voice source characteristics. The present study aims at increasing our knowledge of the NAQ parameter further by finding out how it varies with pitch and Ps in professional classically trained baritone singers, singing at high and low pitch (278 Hz and 139 Hz, respectively). Ten equally spaced Ps values were selected from three takes of the syllable [pae:], initiated at maximum vocal loudness and repeated with a continuously decreasing vocal loudness. The vowel sounds following the selected Ps peaks were inverse filtered. Data on peak-to-peak pulse amplitude, maximum flow declination rate and NAQ are presented.

Adult↗

PubMed2006

Paranasal sinus ventilation by humming.

The gas nitric oxide (NO) is generated in the human paranasal sinuses and can be measured in nasally exhaled air. During humming, a marked increase in exhaled NO content has been observed. The acoustic phenomenon responsible for this evacuation of NO gas from the sinuses was analyzed. A tube model was constructed with a syringe containing NO gas attached radially. This tube was excited with an air stream modulated by a sine wave. Increased evacuation was observed whenever the syringe was not located at a pressure node of the exciting sine wave. A computer model of the system showed a good matching of observed pressure versus frequency data in the syringe resonator. The results thus suggest that the alternating pressure in the nasal cavity forces the air plug in the ostium of the paranasal sinus resonators to vibrate, thus expelling from the cavity NO gas, which is transported to free air by the exhalatory air stream.

Computer Simulation↗

PubMed2006

Effects of vocal loudness variation on spectrum balance as reflected by the alpha measure of long-term-average spectra of speech.

The overall slope of long-term-average spectrum (LTAS) decreases if vocal loudness increases. Therefore, changes of vocal loudness also affects the alpha measure, defined as the ratio of spectrum intensity above and below 1000 Hz. The effect on alpha of loudness variation was analyzed in 15 male and 16 female voices reading a text at different degrees of vocal loudness. The mean range of equivalent sound level (L(eq)) amounted to about 28 dB and the mean range of alpha to 19.0 and 11.7 dB for the female and male subjects. The L(eq) vs. alpha relationship could be approximated with a quadratic function, or by a linear equation, if softest phonation was excluded. Using such equations alpha was computed for all values of L(eq) observed for each subject and compared with observed values. The maximum and the mean absolute errors were 2.4 dB and between 0.1 and 0.6 dB. When softest phonation was disregarded and linear equations were used, the maximum error was less than 2 dB and the mean absolute errors were between 0.2 and 0.7 dB. The strong correlation between L(eq) and alpha indicates that for a voice L(eq) can be used for predicting alpha.

Adult↗

PubMed2006

An amplitude quotient based method to analyze changes in the shape of the glottal pulse in the regulation of vocal intensity.

This study presents an approach to visualizing intensity regulation in speech. The method expresses a voice sample in a two-dimensional space using amplitude-domain values extracted from the glottal flow estimated by inverse filtering. The two-dimensional presentation is obtained by expressing a time-domain measure of the glottal pulse, the amplitude quotient (AQ), as a function of the negative peak amplitude of the flow derivative (d(peak)). The regulation of vocal intensity was analyzed with the proposed method from voices varying from extremely soft to very loud with a SPL range of approximately 55 dB. When vocal intensity was increased, the speech samples first showed a rapidly decreasing trend as expressed on the proposed AQ-d(peak) graph. When intensity was further raised, the location of the samples converged toward a horizontal line, the asymptote of a hypothetical hyperbola. This behavior of the AQ-d(peak) graph indicates that the intensity regulation strategy changes from laryngeal to respiratory mechanisms and the method chosen makes it possible to quantify how control mechanisms underlying the regulation of vocal intensity change gradually between the two means. The proposed presentation constitutes an easy-to-implement method to visualize the function of voice production in intensity regulation because the only information needed is the glottal flow wave form estimated by inverse filtering the acoustic speech pressure signal.

Adult↗

PubMed2005

Voice source differences between registers in female musical theater singers.

Musical theater singing typically requires women to use two vocal registers. Our investigation considered voice source and subglottal pressure P(s) characteristics of the speech pressure signal recorded for a sequence of /pae/ syllables sung at constant pitch and decreasing vocal loudness in each register by seven female musical theater singers. Ten equally spaced P(s) values were selected, and the relationships between P(s) and several parameters were examined; closed-quotient (Q(closed)), peak-to-peak pulse amplitude (U(p-t-p)), amplitude of the negative peak of the differentiated flow glottogram, ie, the maximum flow declination rate (MFDR), and the normalized amplitude quotient (NAQ) [U(p-t-p)/(T0*MFDR)], where T0 is the fundamental period. P(s) was typically slightly higher in chest than in head register. As P(s) influences the measured glottogram parameters, these were also compared at an approximately identical P(s) of 11 cm H2O. Results showed that for typical tokens, MFDR and Q(closed) were significantly greater, whereas U(p-t-p) and therefore NAQ were significantly lower in chest than in head.

Adolescent↗

PubMed2005

Throaty voice quality: subglottal pressure, voice source, and formant characteristics.

"Throaty" voice quality has been regarded by voice pedagogues as undesired and even harmful. This study attempts to identify acoustic and physiological correlates of this quality. One male and one female subject read a text habitually and with a throaty voice quality. Oral pressure during p-occlusion was measured as an estimate of subglottal pressure. Long-term average spectrum analysis described the average spectrum characteristics. Sixteen syllables, perceptually evaluated with regard to throaty quality by five experts, were selected for analysis. Formant frequencies and voice source characteristics were measured by means of inverse filtering, and the vocal tract shape of the throaty and normal versions of the vowels [a,u,i,ae] of the male subject were recorded by magnetic resonance imaging. From this material, area functions were derived and their resonance frequencies were determined. The throaty versions of these four vowels all showed a pharynx that was narrower than in the habitually produced versions. To test the relevance of formant frequencies to perceived throaty quality, experts rated degree of throatiness in synthetic vowel samples, in which the measured formant frequency values of the subject were used. The main acoustic correlates of throatiness seemed to be an increase of F1, a decrease of F4, and in front vowels a decrease of F2, which presumably results from a narrowing of the pharynx. In the male subject, voice source parameters suggested a more hyperfunctional voice in throaty samples.

Female↗

PubMed2005

Effects of family therapy on children's voices.

The families of nine children with deviant voice qualities were selected for family treatment according to the SYGESTI model. Recordings of the children's speech were made before and after therapy. Perceptual evaluation of their voice quality showed significant improvement in various perceptual parameters after the therapy. Acoustical analysis confirmed changes of voice quality and mean fundamental frequency in speech. The therapy also was found to improve relations between family members, conflict management and other aspects of communication. The results suggest that these children's deviant voices were related to family conditions.

Child↗

PubMed2005

Reliability of the term 'support' in singing.

The usefulness of a term depends on the extent to which it means the same thing to different people. In this investigation we examine the term 'support', commonly used in vocal pedagogy. Singing lessons given by co-author SS to five students at varying stages were recorded on DAT. By listening to these recordings, she selected 42 examples, each a few seconds long, that she found representative of different degrees of support ranging from perfect to nil. These examples were presented in random order to nine experts, all with a professional involvement in singing. Thirteen of the stimuli occurred twice in the test. Intra- and inter-rater reliability were found to be high, Cronbach alpha=0.910, and mean correlation 0.743 (SD 0.137). These data support the assumption that the term support has a similar meaning to voice experts and should thus be useful in voice terminology.

Humans↗

PubMed2005

Effects on the glottal voice source of vocal loudness variation in untrained female and male voices.

Subglottal pressure is one of the main voice control factors, controlling vocal loudness. In this investigation the effects of subglottal pressure variation on the voice source in untrained female and male voices phonating at a low, a middle, and a high fundamental frequency are analyzed. The subjects produced a series of /pae/ syllables at varied degrees of vocal loudness, attempting to keep pitch constant. Subglottal pressure was estimated from the oral pressure during the /p/ occlusion. Ten subglottal pressure values, approximately equidistantly spaced within the pressure range used, were identified, and the voice source of the vowels following these pressure values was analyzed by inverse filtering the airflow signal as captured by a Rothenberg mask. The maximum flow declination rate (MFDR) was found to increase linearly with subglottal pressure, but a given subglottal pressure produced lower values for female than for male voices. The closed quotient increased quickly with subglottal pressure at low pressures and slowly at high pressures, such that the relationship can be approximated by a power function. For a given subglottal pressure value, female voices reached lower values of closed quotient than male voices.

Adult↗

PubMed2005

Driving forces for import of waste for energy recovery in Sweden.

Between 1996 and 2002, the Swedish import of so-called yellow waste for energy recovery increased. The import mainly consisted of separated wood waste and mixes of used wood and paper and/or plastics that was combusted in district heat production plants (DHPPs). Some mixed waste was imported to waste incineration plants for energy recovery (10% of the import of yellow waste for energy recovery in 2002). The import came primarily from Germany, the Netherlands, Norway, Denmark and Finland. We identified six underlying driving forces for this recent increase of imported waste which are outlined and their interactive issues discussed. --The energy system infrastructure, which enables high energy recovery in Sweden. --The energy taxation, where high Swedish taxes on fossil fuels make relatively expensive solid biofuels the main alternative for base load production of district heat. --The quality of the waste-derived fuels, which has been higher in the exporting countries than in Sweden. --The bans on landfilling within Europe and the shortage of waste treatment capacity. --Taxes on waste management in Europe. --Gate fee differences between exporting countries and Sweden. In the future, the overall strength of these driving forces will probably be weakened. A Swedish tax on waste incineration is being investigated. In other European countries, the ambition to reach the Kyoto targets and increase the renewable electricity production could improve the competitiveness of waste-derived fuels in comparison with fossil fuels. Swedish DHPPs using waste-derived fuels will experience higher costs after the Waste Incineration Directive is fully implemented. The uncertainty about European waste generation and treatment capacity, however, might have a large influence on the future gate fees and thus also on the yellow waste import into Sweden.

Commerce↗

PubMed2004

Effects of a professional solo singer education on auditory and kinesthetic feedback--a longitudinal study of singers' pitch control.

The significance of auditory and kinesthetic feedback to pitch control in singing was described in a previous report of this project for students at the beginning of their professional solo singer education.(1) As it seems reasonable to assume that pitch control can be improved by training, the same students were reinvestigated after 3 years of professional singing education. As in the previous study, the singers sang an ascending and descending triad pattern with and without masking noise in legato and staccato and in a slow and a fast tempo. Fundamental frequency and interval sizes between adjacent tones were determined and compared with their equivalents in the equally tempered tuning. The average deviations from these values were used as estimates of intonation accuracy. Intonation accuracy was reduced by masking noise, by staccato as opposed to legato singing, and by fast as opposed to slow performance. The contribution of the auditory feedback to pitch control was not significantly improved after education, whereas the kinesthetic feedback circuit was improved in slow legato and slow staccato tasks. The results support the assumption that the kinesthetic feedback contributes substantially to intonation accuracy.

Acoustics↗

PubMed2004

Estimating perceived phonatory pressedness in singing from flow glottograms.

The normalized amplitude quotient (NAQ), defined as the ratio between the peak-to-peak amplitude of the flow pulse and the negative peak amplitude of the differentiated flow glottogram and normalized with respect to period time, has been shown to be related to glottal adduction. Glottal adduction, in turn, affects mode of phonation and hence perceived phonatory pressedness. The relationship between NAQ and perceived phonatory pressedness was analyzed in a material collected from a professional female singer and singing teacher who sang a triad pattern in breathy, flow, neutral, and pressed phonation in three different loudness conditions (soft, middle, loud). In addition, she also sang the same triad pattern in four different styles of singing, classical, pop, jazz, and blues, in the same three loudness conditions. A panel of experts rated the degree of perceived phonatory press along visual analogue scales. Comparing the obtained mean rated pressedness ratings with the mean NAQ values for the various triads showed that about 73% of the variation in perceived pressedness could be accounted for by variations of NAQ.

Acoustics↗

PubMed2004

Effect on LTAS of vocal loudness variation.

Long-term-average spectrum (LTAS) is an efficient method for voice analysis, revealing both voice source and formant characteristics. However, the LTAS contour is non-uniformly affected by vocal loudness. This variation was analyzed in 15 male and 16 female untrained voices reading a text 7 times at different degrees of vocal loudness, mean change in overall equivalent sound level (Leq) amounting to 27.9 dB and 28.4 dB for the female and male subjects. For all frequency values up to 4 kHz, spectrum level was strongly and linearly correlated with Leq for each subject. The gain factor, that is to say, the rate of level increase, varied with frequency, from about 0.5 at low frequencies to about 1.5 in the frequency range 1.5-3 kHz. Using the gain factors for a subject, LTAS contours could be predicted at any Leq within the measured range, with an average accuracy of 2-3 dB below 4 kHz. Mean LTAS calculated for an Leq of 70 dB for each subject showed considerable individual variation for both males and females, SD of the level varying between 7 dB and 4 dB depending on frequency. On the other hand, the results also suggest that meaningful comparisons of LTAS, recorded for example before and after voice therapy, can be made, provided that the documentation includes a set of recordings at different loudness levels from one recording session.

Adult↗

PubMed2004

Spectrum effects of subglottal pressure variation in professional baritone singers.

The audio signal from five professional baritones was analyzed by means of spectrum analysis. Each subject sang syllables [pae] and [pa] from loudest to softest phonation at fundamental frequencies representing 25%, 50%, and 75% of his total range. Ten subglottal pressures, equidistantly spaced between highest and lowest, were selected for analysis along with the corresponding production of the vowels. The levels of the first formant and singer's formant were measured as a function of subglottal pressure. Averaged across subjects, vowels, and F0, a 10-dB increase at 600 Hz was accompanied by a 16-dB increase at 3 kHz.

Adult↗