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Biomedical subjects

Mari Riess Jones

Publications and source records attributed to Mari Riess Jones.

7 recordsLinked to original sources
PubMed2006

Effects of auditory pattern structure on anticipatory and reactive attending.

In three experiments, participants listened for a target's pitch change within recurrent nine-tone patterns having largely isochronous rhythms. Patterns differed in pitch structure of initial (context) and final (target distance) pattern segments. Also varied were: probe timing (Experiments 2 and 3) and instructions about probe timing (Experiments 2 and 3). In all experiments, identification of a recurrent target was poorer in patterns with wider context pitch intervals (in semitones) than in others. Effects of probe timing also occurred, with better performance for temporally expected than unexpected probes. However, when listeners were explicitly told to focus upon a target's pitch and not its timing (Experiment 3), they performed selectively better in patterns with smaller target/probe pitch distances, especially for rhythmically expected probes. Five theoretical approaches to the respective roles of pitch and/or time structure were assessed. Although no single approach accounted for all results, a modification of one theory (a Pitch/Time Entrainment model) provided a reasonable description of findings.

Attitude↗
PubMed2006

Higher order pattern structure influences auditory representational momentum.

Representational momentum refers to the phenomenon that observers tend to incorrectly remember an event undergoing real or implied motion as shifted beyond its actual final position. This has been demonstrated in both visual and auditory domains. In 5 pitch discrimination experiments, listeners heard tone sequences that implied either linear, periodic, or null motions in pitch space. Their task was to judge whether the pitch of a probe tone following each sequence was the same or different from the final sequence tone. Results suggested that listeners made errors consistent with extrapolation of coherent pitch patterns (linear, periodic) but not with incoherent (null) ones. Hypotheses associated with internalized physical principles and pattern-based expectations are discussed.

Attention↗
PubMed2006

The time of our lives: life span development of timing and event tracking.

Life span developmental profiles were constructed for 305 participants (ages 4-95) for a battery of paced and unpaced perceptual-motor timing tasks that included synchronize-continue tapping at a wide range of target event rates. Two life span hypotheses, derived from an entrainment theory of timing and event tracking, were tested. A preferred period hypothesis predicted a monotonic slowing of a preferred rate (tempo) of event tracking across the life span. An entrainment region hypothesis predicted a quadratic profile in the range of event rates that produced effective timing across the life span; specifically, age-specific entrainment regions should be narrower in childhood and late adulthood than in midlife. Findings across tasks provide converging support for both hypotheses. Implications of these findings are discussed for understanding critical periods in development and age-related slowing of event timing.

Adolescent↗
PubMed2005

Time judgments in global temporal contexts.

With three experiments, we examined the effects of global temporal context on time judgments as gauged by constant errors (CEs) and estimates of a preferred period (P). In Experiment 1, participants in seven different conditions listened to sequences of a given rate (with interonset intervals ranging from 200 to 800 msec) and judged the relative duration of a final (comparison) time interval. No P emerged. In Experiments 2 and 3, we embedded the same rates in different global (session) contexts that varied according to (1) mean session rate, (2) standard deviation, (3) range, and (4) number of different rates in a session. Evidence from CEs indicated that P varied primarily as a function of mean session rate and range of tempi. The best predictor of errors involved a measure termed relative range (RR = range/mean session rate). A general algorithm incorporating RR successfully predicts P, and the implications of this algorithm are discussed.

Humans↗
PubMed2003

Modeling effects of rhythmic context on perceived duration: a comparison of interval and entrainment approaches to short-interval timing.

Relative merits of interval and entrainment conceptions of the internal clock were assessed within a common theoretical framework by 4 time-judgment experiments. The timing of tone onsets marking the beginning and ending of standard and comparison time intervals relative to a context rhythm were manipulated: onsets were on time, early, or late relative to the implied rhythm, and 2 distinct accuracy patterns emerged. A quadratic ending profile indicated best performance when the standard ended on time and worst performance when it was early or late, whereas a flat beginning profile (Experiments 1-3) indicated uniform performance for the 3 expectancy conditions. Only in Experiment 4, in which deviations from expected onset times were large, did significant effects of beginning times appear in time-discrimination thresholds and points of subjective equality. Findings are discussed in the context of theoretical assumptions about clock resetting, the representation of time, and independence of successive time intervals.

Humans↗
PubMed2002

Temporal aspects of stimulus-driven attending in dynamic arrays.

Auditory sequences of tones were used to examine a form of stimulus-driven attending that involves temporal expectancies and is influenced by stimulus rhythm. Three experiments examined the influence of sequence timing on comparative pitch judgments of two tones (standard, comparison) separated by interpolated pitches. In two of the experiments, interpolated tones were regularly timed, with onset times of comparison tones varied relative to this rhythm. Listeners were most accurate judging the pitch of rhythmically expected tones and least accurate with very unexpected ones. This effect persisted over time, but disappeared when the rhythm of interpolated tones was either missing or irregular.

Attention↗