Biomedical subjects

Martina Huss

Publications and source records attributed to Martina Huss.

4 recordsLinked to original sources

PubMed2006

Motor cortex maps articulatory features of speech sounds.

The processing of spoken language has been attributed to areas in the superior temporal lobe, where speech stimuli elicit the greatest activation. However, neurobiological and psycholinguistic models have long postulated that knowledge about the articulatory features of individual phonemes has an important role in their perception and in speech comprehension. To probe the possible involvement of specific motor circuits in the speech-perception process, we used event-related functional MRI and presented experimental subjects with spoken syllables, including [p] and [t] sounds, which are produced by movements of the lips or tongue, respectively. Physically similar nonlinguistic signal-correlated noise patterns were used as control stimuli. In localizer experiments, subjects had to silently articulate the same syllables and, in a second task, move their lips or tongue. Speech perception most strongly activated superior temporal cortex. Crucially, however, distinct motor regions in the precentral gyrus sparked by articulatory movements of the lips and tongue were also differentially activated in a somatotopic manner when subjects listened to the lip- or tongue-related phonemes. This sound-related somatotopic activation in precentral gyrus shows that, during speech perception, specific motor circuits are recruited that reflect phonetic distinctive features of the speech sounds encountered, thus providing direct neuroimaging support for specific links between the phonological mechanisms for speech perception and production.

Adult↗

PubMed2005

Dead regions and noisiness of pure tones.

Some hearing-impaired subjects report pure tones as sounding highly distorted and noise-like. We assessed whether such reports indicate that the tone frequency falls inside a dead region (DR). Nine hearing-impaired and four normally hearing subjects rated pure tones on a scale from 1 to 7, where 1 indicates clear tone and 7 indicates noise. A white noise was presented as a reference for a sound that should be rated as 7. Stimuli covered the whole audible range of frequencies and levels. The noisiness ratings were, on average, higher for hearing-impaired subjects than for normally hearing subjects. For the former, the ratings were not markedly different for tones with frequencies just outside or inside a DR. However, ratings always exceeded 3 for tones falling more than 1.5 octaves inside a DR. The results indicate that judgement of a tone as sounding noise-like does not reliably indicate that the tone frequency falls in a DR. Both normally hearing and hearing-impaired subjects rated 0.125 kHz and 12 kHz tones as somewhat noise-like, independently of the existence of a DR.

Adult↗

PubMed2005

Dead regions and pitch perception.

The perception of pitch for pure tones with frequencies falling inside low- or high-frequency dead regions (DRs) was examined. Subjects adjusted a variable-frequency tone to match the pitch of a fixed tone. Matches within one ear were often erratic for tones falling in a DR, indicating unclear pitch percepts. Matches across ears of subjects with asymmetric hearing loss, and octave matches within ears, indicated that tones falling within a DR were perceived with an unclear pitch and/or a pitch different from "normal" whenever the tones fell more than 0.5 octave within a low- or high-frequency DR. One unilaterally impaired subject, with only a small surviving region between 3 and 4 kHz, matched a fixed 0.5-kHz tone in his impaired ear with, on average, a 3.75-kHz tone in his better ear. When asked to match the 0.5-kHz tone with an amplitude-modulated tone, he adjusted the carrier and modulation frequencies to about 3.8 and 0.5 kHz, respectively, suggesting that some temporal information was still available. Overall, the results indicate that the pitch of low-frequency tones is not conveyed solely by a temporal code. Possibly, there needs to be a correspondence between place and temporal information for a normal pitch to be perceived.

Acoustic Stimulation↗

PubMed2003

Tone decay for hearing-impaired listeners with and without dead regions in the cochlea.

For people with normal hearing, a sustained tone with a frequency within the standard audiometric range remains audible when presented at a level well above threshold. However, for a pure tone with frequency close to the upper limit of hearing (well above 8 kHz), the loudness may decrease within seconds and the tone may decay to inaudibility, even when presented at a level between 20 and 40 dB SL. Scharf [in Hearing Research and Theory, edited by J. V. Tobias and E. D. Schubert (Academic, New York, 1983), Vol. 2, pp. 1-53] suggested that marked loudness adaptation only occurs when the excitation pattern evoked by a tone is spatially limited. The upper limit of hearing may be comparable to the boundary of a "dead region," which is a region with a complete loss of inner hair cell (IHC) and/or neural function. The present study investigated the perceived decay of pure tones for 9 normal-hearing subjects and 12 subjects with moderate to severe sensorineural hearing loss, using a wide range of frequencies (0.125-12 kHz). A dead region was diagnosed for 8 of the 12 subjects. No consistent association was found between the degree of tone decay and the presence of a dead region. Subjects with dead regions did not experience significantly more tone decay than subjects with comparable absolute thresholds but without a dead region, even when the frequency of the tone fell within or close to the edge of a dead region. For severely hearing-impaired subjects, spatial restriction of the excitation pattern was neither necessary nor sufficient to lead to tone decay. The prevalence of tone decay was not well predicted by the audiometric threshold at the test frequency. It is proposed that tone decay depends on the physiological condition of the place in the cochlea where the tone is detected, which, in a case involving a dead region, is the place adjacent to the dead region. The prevalence of tone decay increased when the audiometric threshold was above 50 dB HL in the frequency region where the tone was detected.

Adult↗