Biomedical subjects
Publications and source records attributed to R L Gregory.
Some tests are reported on a young woman who was believed to have unusual powers of eidetic imagery and voluntary control of vivid hallucinations. No evidence was found of abnormal eidetic ability. Measurements of detection thresholds for light of different wavelengths, while the subject tried to hallucinate various colours, suggested that the supposed hallucinations acted like coloured filters held over the eye.
Perceptions may be compared with hypotheses in science. The methods of acquiring scientific knowledge provide a working paradigm for investigating processes of perception. Much as the information channels of instruments, such as radio telescopes, transmit signals which are processed according to various assumptions to give useful data, so neural signals are processed to give data for perception. To understand perception, the signal codes and the stored knowledge or assumptions used for deriving perceptual hypotheses must be discovered. Systematic perceptual errors are important clues for appreciating signal channel limitations, and for discovering hypothesis-generating procedures. Although this distinction between 'physiological' and 'cognitive' aspects of perception may be logically clear, it is in practice surprisingly difficult to establish which are responsible even for clearly established phenomena such as the classical distortion illusions. Experimental results are presented, aimed at distinguishing between and disconvering what happens when there is mismatch with the neural signal channel, and when neural signals are processed inappropriately for the current situation. This leads us to make some distinctions between perceptual and scientific hypotheses, which raise in a new form the problem: What are 'objects'?
A method is described to determine the effects of experimental compounds on gastric emptying in rats. The technique, using a methylcellulose-based test meal, is simple, versatile and reliable. Data are presented to show the utility of the method in demonstrating both enhancement and inhibition of gastric emptying.
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Recent experiments have shown that stereo depth is given by fusion of illusory ('cognitive') contours. They occur across quite large gaps in figures, when these gaps are unlikely and form the shape of a probable (nearer) masking object or masking feature. Implications are that: (a) clearly defined contours and regions of brightness difference can be produced as postulates from sensory evidence, which may be surprising absence of stimulation; (b) each eye-system can derive its own postulates, or hypotheses, which (c) can be combined to give stereo vision. It has been shown that random-dot stereo depth does not occur when there is colour contrast but no brightness difference between the dots and their background. This we have confirmed by using a new technique for producing isoluminant pictures, of any complexity, with exact registration for any two colours. With this technique, we find large displacements of narrow borders bounding regions that are shifted across isoluminance. These displacements, which are clearly seen as movements, occur with or without colour differences. The direction of shift depends on whether the narrow border is light or dark. It is found that these dramatic shifts do not - when produced in opposite directions to the two eyes and fused - produce stereo depth. It is concluded, following Julesz's paradigm, that these contour displacements have their neural orgin not retinally, but after stereo fusion. Experiments combining the 'cognitive contours' stereo depth with isoluminance are described.
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The Café Wall illusion (seen on the tiles of a local café) is a Münsterberg chequerboard figure, but with horizontal parallel lines which may have any luminance separating the rows of displaced squares. These (the 'mortar' lines) display marked wedge distortion which is especially affected by: contrast of the squares ('tiles'); width of the 'mortar' lines, and their luminance which must not be significantly higher than that of the light squares or lower than that of the dark squares for distortion to occur. An experiment is described from which quantitative data have been obtained by varying these parameters. It is suggested that contiguous regions of different luminance (and contiguous colour regions) are normally held in spatial register by locking from common luminance boundaries. The Café Wall illusion is attributed to this border locking producing inappropriate contour shifts from neighbouring regions of contrasting luminance when separated by narrow gaps of neutral luminance. Further implications on the border-locking notion are discussed.
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