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R V Ericson

Publications and source records attributed to R V Ericson.

2 recordsLinked to original sources

The surveillant assemblage.

George Orwell's 'Big Brother' and Michel Foucault's 'panopticon' have dominated discussion of contemporary developments in surveillance. While such metaphors draw our attention to important attributes of surveillance, they also miss some recent dynamics in its operation. The work of Gilles Deleuze and Felix Guattari is used to analyse the convergence of once discrete surveillance systems. The resultant 'surveillant assemblage' operates by abstracting human bodies from their territorial settings, and separating them into a series of discrete flows. These flows are then reassembled in different locations as discrete and virtual 'data doubles'. The surveillant assemblage transforms the purposes of surveillance and the hierarchies of surveillance, as well as the institution of privacy.

Confidentiality↗

Misplacing memory: the effect of television format on Holocaust remembrance.

The Simon Wiesenthal Center's Beit Hashoah Museum of Tolerance in Los Angeles provides a case study of how museum designers use television formats to communicate and educate. A dramatic spectacle is created that shapes how visitors are to feel and think. This spectacle turns the museum into an emotions factory and functions as a 'format of control'. It exerts a 'creeping surrealism' upon the visitor that misplaces memory and history by degrees. The implications of being unable to transcend television formats in a post-Gutenberg-galaxy world are discussed.

Concentration Camps↗