Biomedical subjects

Sérgio M C Nascimento

Publications and source records attributed to Sérgio M C Nascimento.

16 recordsLinked to original sources

PubMed2006

Frequency of metamerism in natural scenes.

Estimates of the frequency of metameric surfaces, which appear the same to the eye under one illuminant but different under another, were obtained from 50 hyperspectral images of natural scenes. The degree of metamerism was specified with respect to a color-difference measure after allowing for full chromatic adaptation. The relative frequency of metameric pairs of surfaces, expressed as a proportion of all pairs of surfaces in a scene, was very low. Depending on the criterion degree of metamerism, it ranged from about 10(-6) to 10(-4) for the largest illuminant change tested, which was from a daylight of correlated color temperature 25,000 K to one of 4000 K. But, given pairs of surfaces that were indistinguishable under one of these illuminants, the conditional relative frequency of metamerism was much higher, from about 10(-2) to 10(-1), sufficiently large to affect visual inferences about material identity.

Journal Article↗

PubMed2005

Multispectral synthesis of daylight using a commercial digital CCD camera.

Performance of multispectral devices in recovering spectral data has been intensively investigated in some applications, as in spectral characterization of art paintings, but has received little attention in the context of spectral characterization of natural illumination. This study investigated the quality of the spectral estimation of daylight-type illuminants using a commercial digital CCD camera and a set of broadband colored filters. Several recovery algorithms that did not need information about spectral sensitivities of the camera sensors nor eigenvectors to describe the spectra were tested. Tests were carried out both with virtual data, using simulated camera responses, and real data obtained from real measurements. It was found that it is possible to recover daylight spectra with high spectral and colorimetric accuracy with a reduced number of three to nine spectral bands.

Journal Article↗

PubMed2005

Information limits on identification of natural surfaces by apparent colour.

By adaptational and other mechanisms, the visual system can compensate for moderate changes in the colour of the illumination on a scene. Although the colours of most surfaces are perceived to be constant ('colour constancy'), some are not. The effect of these residual colour changes on the ability of observers to identify surfaces by their apparent colour was determined theoretically from high-resolution hyperspectral images of natural scenes under different daylights with correlated colour temperatures 4,300 K, 6,500 K, and 25,000 K. Perceived differences between colours were estimated with an approximately uniform colour-distance measure. The information preserved under illuminant changes increased with the number of surfaces in the sample, but was limited to a relatively low asymptotic value, indicating the importance of physical factors in constraining identification by apparent colour.

Color Perception↗

PubMed2005

Effect of scene complexity on colour constancy with real three-dimensional scenes and objects.

The effect of scene complexity on colour constancy was tested with a novel technique in which a virtual image of a real 3-D test object was projected into a real 3-D scene. Observers made discriminations between illuminant and material changes in simple and complex scenes. The extent of colour constancy achieved varied little with either scene structure or test-object colour, suggesting a dominant role of local cues in determining surface-colour judgments.

Color Perception↗

PubMed2005

Minimalist surface-colour matching.

Some theories of surface-colour perception assume that observers estimate the illuminant on a scene so that its effects can be discounted. A critical test of this interpretation of colour constancy is whether surface-colour matching is worse when the number of surfaces in a scene is so small that any illuminant estimate is unreliable. In the experiment reported here, observers made asymmetric colour matches between pairs of simultaneously presented Mondrian-like patterns under different daylights. The patterns had either 49 surfaces or a minimal 2 surfaces. No significant effect of number was found, suggesting that illuminant estimates are unnecessary for surface-colour matching.

Adult↗

PubMed2005

Psychophysical estimates of the number of spectral-reflectance basis functions needed to reproduce natural scenes.

Theoretical analyses of spectral reflectances of natural surfaces suggest that their perceived colors can be well reproduced by approximations comprising combinations of three or four spectral basis functions. The aim of the present work was to assess psychophysically the number of basis functions necessary to reproduce entire natural outdoor scenes. Hyperspectral images of 20 such scenes were each subjected to a principal component analysis and then reproduced with a variable number of basis functions. The quality of the color approximation under daylight illumination was quantified theoretically in CIELAB space and psychophysically by spatial and temporal two-alternative forced-choice measurements in which the original and the approximated images were compared on a calibrated color monitor. Although five basis functions produced on average unit error in CIELAB space, original images were visually indistinguishable from their approximations only if there were at least eight basis functions. The combination of the spectral diversity of the natural world and the observed levels of color discrimination suggest that estimates of the minimum number of basis functions necessary to reproduce natural scenes may need to be revised upward.

Algorithms↗

PubMed2002

Statistics of spatial cone-excitation ratios in natural scenes.

For some sets of surfaces, the spatial ratios of cone-photoreceptor excitations produced by light reflected from pairs of surfaces are almost invariant under illuminant changes. These sets include large populations of spectral reflectances, some of which represent individual natural surfaces but not their relative abundances in nature. The aim of this study was to determine whether spatial cone-excitation ratios are preserved under illuminant changes within the natural visual environment. A fast hyperspectral imaging system was used to obtain populations of 640,000 reflectance spectra from each of 30 natural scenes. The statistics of spatial cone-excitation ratios for randomly selected pairs of points in these scenes were determined for two extreme daylights. Almost-invariant ratios were common, suggesting that they represent a reliable property of the natural visual environment and a suitable foundation for visual color constancy.

Color Perception↗

PubMedDate not supplied

Color constancy by asymmetric color matching with real objects in three-dimensional scenes.

Color matching experiments use, in general, stimuli that are poor representations of the natural world. The aim of this work was to compare the degree of color constancy for a range of illuminant pairs using a new matching technique that uses both real objects and three-dimensional (3-D) real scenes. In the experiment, observers viewed a 3-D real scene through a large beamsplitter that projects on the right-hand side of the scene (match scene), the virtual image of a 3-D object (match object) such it appeared part of the scene. On the left-hand side of the scene (test scene), observers viewed a symmetrical scene containing a test object identical to the match object. Test and match objects were both surrounded by the same reflectances with identical spatial arrangement. The illuminant on the test scene had always a correlated color temperature of 25,000 K. The illuminant on the match scene could be any of seven different illuminants with correlated color temperatures in the range 25,000 K-4000 K. In each trial, the observers, who were instructed to perform surface color matches, adjusted the illuminant on the match object. Constancy indices were very high (0.81-0.93), varied with the color of the match object, and increased with the extent of the illuminant change. Observer's mismatches, however, were independent of the extent of the illuminant change.

Color Perception↗

PubMedDate not supplied

Minimum-variance cone-excitation ratios and the limits of relational color constancy.

Relational color constancy refers to the constancy of the perceived relations between the colors of surfaces of a scene under changes in the spectral composition of the illuminant. Spatial ratios of cone excitations provide a natural physical basis for this constancy, as, on average, they are almost invariant under illuminant changes for large collections of natural surfaces and illuminants. The aim of the present work was to determine, computationally, for specific surfaces and illuminants, the constancy limits obtained by the application of a minimum-variance principle to cone-excitation ratios and to investigate its validity in predicting observers' surface-color judgments. Cone excitations and their changes due to variations in the color of the illuminant were estimated for colored surfaces in simulated two-dimensional scenes of colored papers and real three-dimensional scenes of solid colored objects. For various test surfaces, scenes, and illuminants, the estimated levels of relational color constancy mediated by cone-excitation ratios varied significantly with the test surface and only with certain desaturated surfaces corresponded to ideal matches. Observers' experimental matches were compared with predictions expressed in CIE 1976 (u',v') space and were found to be generally consistent with minimum-variance predictions.

Color Perception↗

PubMedDate not supplied

Information limits on neural identification of colored surfaces in natural scenes.

If surfaces in a scene are to be distinguished by their color, their neural representation at some level should ideally vary little with the color of the illumination. Four possible neural codes were considered: von-Kries-scaled cone responses from single points in a scene, spatial ratios of cone responses produced by light reflected from pairs of points, and these quantities obtained with sharpened (opponent-cone) responses. The effectiveness of these codes in identifying surfaces was quantified by information-theoretic measures. Data were drawn from a sample of 25 rural and urban scenes imaged with a hyperspectral camera, which provided estimates of surface reflectance at 10-nm intervals at each of 1344 x 1024 pixels for each scene. In computer simulations, scenes were illuminated separately by daylights of correlated color temperatures 4000 K, 6500 K, and 25,000 K. Points were sampled randomly in each scene and identified according to each of the codes. It was found that the maximum information preserved under illuminant changes varied with the code, but for a particular code it was remarkably stable across the different scenes. The standard deviation over the 25 scenes was, on average, approximately 1 bit, suggesting that the neural coding of surface color can be optimized independent of location for any particular range of illuminants.

Color Perception↗

PubMedDate not supplied

Protanopic observers show nearly normal color constancy with natural reflectance spectra.

The ability of color-deficient observers to discriminate between illuminant changes and surface-reflectance changes in a scene was tested with natural and Munsell reflectance spectra. To avoid the confounding effects of spatial structure, stimuli were simulations of Mondrian-like colored patterns, presented on a computer-controlled color monitor. Protanopes performed less well than normal trichromats, regardless of the type of reflectance spectra, but they were least disadvantaged with patterns comprising reflectance spectra drawn from urban and rural scenes, more characteristic of the natural environment.

Adult↗

PubMedDate not supplied

Color constancy in natural scenes with and without an explicit illuminant cue.

Observers can generally make reliable judgments of surface color in natural scenes despite changes in an illuminant that is out of view. This ability has sometimes been attributed to observers' estimating the spectral properties of the illuminant in order to compensate for its effects. To test this hypothesis, two surface-color-matching experiments were performed with images of natural scenes obtained from high-resolution hyperspectral images. In the first experiment, the sky illuminating the scene was directly visible to the observer, and its color was manipulated. In the second experiment, a large gray sphere was introduced into the scene so that its illumination by the sun and sky was also directly visible to the observer, and the color of that illumination was manipulated. Although the degree of color constancy varied across this and other variations of the images, there was no reliable effect of illuminant color. Even when the sky was eliminated from view, color constancy did not worsen. Judging surface color in natural scenes seems to be independent of an explicit illuminant cue.

Analysis of Variance↗

PubMedDate not supplied

Anomalous trichromats' judgments of surface color in natural scenes under different daylights.

Deuteranomalous trichromacy, which affects medium-wavelength-sensitive cones, is more common than protanomalous trichromacy, which affects long-wavelength-sensitive cones. The aim of the present work was to test the extent to which these two kinds of anomalous trichromacy affect surface-color judgments in the natural world. Simulations of 18 natural scenes under different daylight illuminants were presented on a high-resolution color monitor to 7 deuteranomalous, 7 protanomalous, and 12 normal trichromatic observers, who had to discriminate between reflectance and illuminant changes in the images. Observers' ability to judge surface color was quantified by a standard color-constancy index. Deuteranomalous trichromats performed as well as normal trichromats, but protanomalous trichromats performed more poorly than both. The results are considered in relation to the spectral coverage of cones, rod intrusion, and the characterization of anomalous trichromacy by the Rayleigh match.

Adolescent↗

PubMedDate not supplied

Psychophysical estimation of the best illumination for appreciation of Renaissance paintings.

A variety of light sources are used in museum environments where the main concern is to prevent damaging effects of the light on paintings. Yet, the visual impression of an artistic painting is strongly influenced by the intensity and spectral profile of the illumination. The aim of this work was to determine psychophysically the spectral profile of the illumination preferred by observers when seeing paintings dated from the Renaissance époque and to investigate how their preferences correlate with the color temperature of the illumination and with the chromatic diversity of the paintings. Hyperspectral images of five oil paintings on wood were collected at the museum and the appearance of the paintings under five representative illuminants computed. Chromatic diversity was estimated by computing the representation of the paintings in the CIELAB color space and by counting the number of nonempty unit cubes occupied by the corresponding color volume. A paired-comparison experiment using precise cathode ray tube (CRT) reproductions of the paintings rendered with several illuminant pairs with different color temperatures was carried out to determine observers' preference. The illuminant with higher color temperature was always preferred except for one pair where no clear preference was expressed. The preferred illuminant produced the larger chromatic diversity, and for the condition where no specific illuminant was preferred the number of colors produced by the illuminant pair was very similar, a result suggesting that preference could have been influenced by chromatic diversity.

Affect↗

PubMedDate not supplied

Color constancy in natural scenes explained by global image statistics.

To what extent do observers' judgments of surface color with natural scenes depend on global image statistics? To address this question, a psychophysical experiment was performed in which images of natural scenes under two successive daylights were presented on a computer-controlled high-resolution color monitor. Observers reported whether there was a change in reflectance of a test surface in the scene. The scenes were obtained with a hyperspectral imaging system and included variously trees, shrubs, grasses, ferns, flowers, rocks, and buildings. Discrimination performance, quantified on a scale of 0 to 1 with a color-constancy index, varied from 0.69 to 0.97 over 21 scenes and two illuminant changes, from a correlated color temperature of 25,000 K to 6700 K and from 4000 K to 6700 K. The best account of these effects was provided by receptor-based rather than colorimetric properties of the images. Thus, in a linear regression, 43% of the variance in constancy index was explained by the log of the mean relative deviation in spatial cone-excitation ratios evaluated globally across the two images of a scene. A further 20% was explained by including the mean chroma of the first image and its difference from that of the second image and a further 7% by the mean difference in hue. Together, all four global color properties accounted for 70% of the variance and provided a good fit to the effects of scene and of illuminant change on color constancy, and, additionally, of changing test-surface position. By contrast, a spatial-frequency analysis of the images showed that the gradient of the luminance amplitude spectrum accounted for only 5% of the variance.

Color↗

PubMedDate not supplied

Visual sensitivity to color errors in images of natural scenes.

Simple color-difference formulae and pictorial images have traditionally been used to estimate the visual impact of color errors introduced by image-reproduction processes. But the limited gamut of RGB cameras constrains such analyses, particularly of natural scenes. The purpose of this work was to estimate visual sensitivity to color errors introduced deliberately into pictures synthesized from hyperspectral images of natural scenes without gamut constraints and to compare discrimination thresholds expressed in CIELAB and S-CIELAB color spaces. From each original image, a set of approximate images with variable color errors were generated and displayed on a calibrated RGB color monitor. The threshold for perceptibility of the errors was determined in a paired-comparison experiment. In agreement with previous studies, it was found that discrimination between original and approximate images needed on average a CIELAB color difference DeltaEab* of about 2.2. Although a large variation of performance across the nine images tested was found when errors were expressed in CIELAB units, little variation was obtained when they were expressed in S-CIELAB units.

Color↗