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Thomas V Papathomas

Publications and source records attributed to Thomas V Papathomas.

6 recordsLinked to original sources

Cross-feature spread of global attentional modulation in human area MT+.

Feature-based attention affects the processing of the selected feature throughout the visual field. Here, we show that such global attentional modulation is not restricted to the attended feature but spreads to task-irrelevant features that are bound to the attended one. Attention to a color in one of the visual hemifields affected the processing of task-irrelevant motion in the other hemifield when it was associated with a stimulus that shared the attended color. This cross-feature global attentional selection increased the duration of the motion aftereffect and the strength of functional magnetic resonance imaging responses in the motion-sensitive area MT+, evoked by the task-irrelevant motion. These findings imply that features belonging to the same object are bound and selected jointly even outside the focus of attention.

Attention↗

Implicit attentional selection of bound visual features.

Traditionally, research on visual attention has been focused on the processes involved in conscious, explicit selection of task-relevant sensory input. Recently, however, it has been shown that attending to a specific feature of an object automatically increases neural sensitivity to this feature throughout the visual field. Here we show that directing attention to a specific color of an object results in attentional modulation of the processing of task-irrelevant and not consciously perceived motion signals that are spatiotemporally associated with this color throughout the visual field. Such implicit cross-feature spreading of attention takes place according to the veridical physical associations between the color and motion signals, even under special circumstances when they are perceptually misbound. These results imply that the units of implicit attentional selection are spatiotemporally colocalized feature clusters that are automatically bound throughout the visual field.

Acoustic Stimulation↗

Object-based cross-feature attentional modulation from color to motion.

Object-based theories of visual attention predict that attempting to direct attention to a particular attribute of a visual object will result in an automatic selection of the whole object, including all of its features. It has been assumed, but not critically tested, that the spreading of attention from one feature to another in this manner, i.e. cross-feature attentional (CFA) effects, takes place at object-level stages of processing as opposed to early, local stages. In the present study we disambiguated these options for color-to-motion CFA by contrasting attention's effect on bivectorial transparent versus bivectorial locally paired motion displays. We found that association between features at the global, but not at the local, stage of motion processing leads to cross-feature attentional effects. These findings provide strong psychophysical evidence that such effects are indeed object-based.

Adaptation, Physiological↗

Experiments with a hollow mask and a reverspective: top-down influences in the inversion effect for 3-D stimuli.

Earlier psychophysical and physiological studies, obtained mostly with two-dimensional (2-D) stimuli, provided evidence for the hypothesis that the processing of faces differs from that of scenes. We report on our experiments, employing realistic three-dimensional (3-D) stimuli of a hollow mask and a scene, that offer further evidence for this hypothesis. The stimuli used for both faces and scenes were bistable, namely they could elicit either the veridical or an illusory volumetric percept. Our results indicate that the illusion is weakened when the stimuli are inverted, suggesting the involvement of top down processes. This inversion effect is statistically significant for the facial stimulus, but the trend did not reach statistical significance for the scene stimulus. These results support the hypothesis that configural processing is stronger for the 3-D perception of faces than it is for scenes, and extend the conclusions of earlier studies on 2-D stimuli.

Adolescent↗

Experiments on the role of painted cues in Hughes's reverspectives.

The English artist Patrick Hughes has created an extraordinary class of painted artpieces, most commonly referred to as 'reverspectives'. They consist of truncated pyramids and prisms with their smaller faces closer to the viewer, in such a way as to allow a realistic scene to be painted on them. The works of art contain rich perspective and other painted cues that conspire to elicit an illusory depth percept that is the reverse of the physical depth arrangement. This reverse depth is obtained under a wide range of viewing conditions, and competes with the veridical depth percept in a classical bistable paradigm that was found to exhibit a high degree of hysteresis. Under the illusory depth percept, reverspectives appear to move vividly as the viewer moves in front of them. This paper reports two experiments that were designed to assess the effectiveness of the painted cues in eliciting the illusory depth percept by using three different measures for the strength of the illusion. As expected, the illusion was favored by monocular viewing and large viewing distances. The results from these two experiments are in close agreement with each other, and they indicate that the painted cues are powerful in influencing the ultimate percept.

Cues↗

Influences of motion and depth on brightness induction: an illusory transparency effect?

To experiments were performed to investigate whether motion and binocular disparity influence brightness induction, and whether the effects of motion and binocular disparity, if any, interact with each other. In order to introduce motion, textured backgrounds were used as the inducing field. The results showed that motion and/or crossed disparity reduce brightness induction, whereas uncrossed disparity increases it. The effect of motion and the effect of disparity are independent of each other and additive, which suggests that, to the extent that brightness induction reflects segmentation of objects, motion and binocular disparity serve independently to segment objects from their background. The difference between the effects of crossed and uncrossed disparity can be explained by what we call 'illusory transparency'.

Analysis of Variance↗