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Vasco M N de Almeida

Publications and source records attributed to Vasco M N de Almeida.

3 recordsLinked to original sources

Effect of scene complexity on colour constancy with real three-dimensional scenes and objects.

The effect of scene complexity on colour constancy was tested with a novel technique in which a virtual image of a real 3-D test object was projected into a real 3-D scene. Observers made discriminations between illuminant and material changes in simple and complex scenes. The extent of colour constancy achieved varied little with either scene structure or test-object colour, suggesting a dominant role of local cues in determining surface-colour judgments.

Color Perception↗

Color constancy by asymmetric color matching with real objects in three-dimensional scenes.

Color matching experiments use, in general, stimuli that are poor representations of the natural world. The aim of this work was to compare the degree of color constancy for a range of illuminant pairs using a new matching technique that uses both real objects and three-dimensional (3-D) real scenes. In the experiment, observers viewed a 3-D real scene through a large beamsplitter that projects on the right-hand side of the scene (match scene), the virtual image of a 3-D object (match object) such it appeared part of the scene. On the left-hand side of the scene (test scene), observers viewed a symmetrical scene containing a test object identical to the match object. Test and match objects were both surrounded by the same reflectances with identical spatial arrangement. The illuminant on the test scene had always a correlated color temperature of 25,000 K. The illuminant on the match scene could be any of seven different illuminants with correlated color temperatures in the range 25,000 K-4000 K. In each trial, the observers, who were instructed to perform surface color matches, adjusted the illuminant on the match object. Constancy indices were very high (0.81-0.93), varied with the color of the match object, and increased with the extent of the illuminant change. Observer's mismatches, however, were independent of the extent of the illuminant change.

Color Perception↗

Minimum-variance cone-excitation ratios and the limits of relational color constancy.

Relational color constancy refers to the constancy of the perceived relations between the colors of surfaces of a scene under changes in the spectral composition of the illuminant. Spatial ratios of cone excitations provide a natural physical basis for this constancy, as, on average, they are almost invariant under illuminant changes for large collections of natural surfaces and illuminants. The aim of the present work was to determine, computationally, for specific surfaces and illuminants, the constancy limits obtained by the application of a minimum-variance principle to cone-excitation ratios and to investigate its validity in predicting observers' surface-color judgments. Cone excitations and their changes due to variations in the color of the illuminant were estimated for colored surfaces in simulated two-dimensional scenes of colored papers and real three-dimensional scenes of solid colored objects. For various test surfaces, scenes, and illuminants, the estimated levels of relational color constancy mediated by cone-excitation ratios varied significantly with the test surface and only with certain desaturated surfaces corresponded to ideal matches. Observers' experimental matches were compared with predictions expressed in CIE 1976 (u',v') space and were found to be generally consistent with minimum-variance predictions.

Color Perception↗