PubMed Health⌕ Search

PubMed · 1604837

Shape analysis and stereopsis for human depth perception.

Abstract

The perceived relative depth of two isolated short parallel lines in the center of a scene is known to depend on the disparities and positions of other items in the scene, as well as on their own disparities. We demonstrate here that the shapes of these other items also contribute significantly to the perceived depth, and that these non-disparity influences on depth judgements may already be evident when only three dots are presented as stimuli. When two short vertical test lines are surrounded by a trapezoidal "picture frame", the perceived relative depth of the test lines is affected by the shape of the trapezoid as well as by the disparities assigned to its vertical parallel sides. The influence of the trapezoidal frame can be interpreted as an effect of perspective. The induced relative depth of the test lines is measured by recording the amount of "compensating disparity" that must be given to one of the lines in order for observers to judge the two test lines to be equidistant from the observer's viewing position. Surprisingly, for fixed disparities of the vertical edges of the surrounding picture frame, the induced depth of the test lines increases as the difference in the lengths of the vertical sides increases, regardless of whether the perspective interpretation of the difference in the lengths is consistent with or in conflict with the disparity-defined slant. Shape-related apparent depth changes are especially sensitive to the shape of the trapezoid if it is nearly rectangular, and are comparable in magnitude to those resulting from changes in disparity of the surrounding frame. When a pair of short vertical parallel test lines is presented alone, without a surrounding frame or any other items in the scene, excellent relative depth discrimination is displayed by most subjects. However, if the lines are replaced by squares, trapezoids, triangles, single horizontal lines, or other figures of about the same size as the original test lines, the slant discrimination threshold for these plane figures for naïve observers become poorer by a factor of 20-100. By the use of a feedback signal, observers can be trained to use only disparity cues and ignore shape effects. Some observers have difficulty ignoring the shapes of some figures, the "difficult" figures being different for each observer. After training, the relative depth thresholds for most figures approach those of the original unconnected parallel test lines.

Explore related subjects

Keep this discovery

Explore connections, maps & timelines

BibTeXRIS

T Kumar, D A Glaser. 1992. Shape analysis and stereopsis for human depth perception.. https://doi.org/10.1016/0042-6989(92)90242-b

Cite the original work for its findings. Save a collection to share your selection of sources.

KEEP EXPLORING

Related citations

The effects of phase on the perception of 3D shape from texture: psychophysics and modeling.

Two experiments are reported in which observers judged the apparent shapes of elliptical cylinders with eight different textures that were presented with scrambled and unscrambled phase spectra. The results revealed that the apparent depths of these surfaces varied linearly with the ground truth in all conditions, and that the overall magnitude of surface relief was systematically underestimated. In general, the apparent depth of a surface is significantly attenuated when the phase spectrum of its texture is randomly scrambled, though the magnitude of this effect varies for different types of texture. A new computational model of 3D shape from texture is proposed in which apparent depth is estimated from the relative density of edges in different local regions of an image, and the predictions of this model are highly correlated with the observers' judgments.

Depth Perception↗

Stereomotion suppression and the perception of speed: accuracy and precision as a function of 3D trajectory.

The precision and accuracy of speed discrimination performance for stereomotion stimuli were assessed for several receding 3D trajectories confined to the horizontal meridian. It has previously been demonstrated in a variety of tasks that detection thresholds are substantially higher when subjects observe a stereomotion stimulus than when simply viewing one of its component monocular half-images--a phenomenon known as stereomotion suppression (C. W. Tyler, 1971). Using monocularly visible motion in depth targets, we found mean speed discrimination thresholds to be higher for stereomotion, compared with monocular lateral speed discrimination thresholds for equivalent stimuli, demonstrating a disadvantage for binocular viewing in the case of speed discrimination as well. Furthermore, speed discrimination thresholds for motion in depth were not systematically affected by trajectory angle; hence, the disadvantage of binocular viewing persists even when there are concurrent changes in binocular visual direction. Lastly, there was a tendency for oblique trajectories of stereomotion to be perceived as faster than equally rapid motion receding directly away from the subject along the midline. Our data, in addition to earlier stereomotion suppression observations, are consistent with a stereomotion system that takes a noisy, weighted difference of the stimulus velocities in the two eyes to compute motion in depth.

Depth Perception↗

Visual saliency and texture segregation without feature gradient.

A central notion in the study of texture segregation is that of feature gradient (or feature contrast). In orientation-based texture segregation, orientation gradients have indeed played a fundamental role in explaining behavioral results. Here, however, we show that general, smoothly varying, orientation-defined textures (ODTs) exhibit striking perceptual singularities that are completely unpredictable from orientation gradients. These singularities defy not only popular texture segregation theories but also virtually all computational segmentation methods, and they confound previous behavioral studies with smoothly varying ODTs. We provide psychophysical evidence that perceptual singularities in smooth ODTs are salient visual features consistent across observers and with significant effect on the perception and segregation of oriented textures. We further show that, although orientation gradients cannot predict them, perceptual singularities in smooth ODTs emerge directly from, and can be spatially localized by, two ODT curvatures. Given the traditional role of feature gradients in early vision, the significance of these findings extends well beyond orientation-based texture segregation to issues ranging from curve integration and fragment grouping, through the perception of 3D shape, to the functional organization of the primary visual cortex.

Depth Perception↗