PubMed · 5824432
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W F Brewer. 1969. Visual memory, verbal encoding and hemispheric localization.. https://doi.org/10.1016/s0010-9452(69)80025-0
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While it may be a long time before we can specify the mechanisms through which a brain process achieves awareness, it may be possible to determine as a first step whether awareness is limited to the products of certain kinds of processing. In the domain of vision, for example, perceptual awareness might only be attainable in association with object-centred coding, configural representations of space, and other such forms of abstracted (non-retinocentric) coding. It appears that these forms of visual coding are anatomically restricted to telencephalic structures, and indeed it has been argued that they may be peculiar to, or at least visually dependent upon, the 'ventral stream' of visual areas with the cortex. It is suggested here that such a brain process would still not be able to enter visual awareness unless it was selectively amplified through neuronal gating of the kind that has been shown to be correlated with selective spatial attention. The present paper explores the extent to which this putative dual requirement for visual consciousness might form a basis for understanding the various phenomena of "covert vision" seen in patients suffering from hemianopia, apperceptive agnosia, and unilateral spatial neglect.
The painting "The Three Generations" is considered one of the highlights in Charley Toorop's works. It essentially represents a self portrait of the artist herself, with John Rädeker's sculpture of her father Jan Toorop, and her son Edgar Fernhout. The completion of this painting took 9 years (1941-1950). However, the left lower corner of the canvas, sometimes referred to as "the black hole", Charley's left thumb with the palette and the conspicuously raised right arm with the brush can be considered structural imperfections. During the last 5 years of her life Charley Toorop suffered at least three cerebrovascular accidents, which raises the question whether the described pictorial inadequacies were of a neuropathological origin. Closer examination of the "black hole" area on the canvas disclosed a subtle ridge, as predicted and reconstructed by computer image manipulation. It is argued that Charley Toorop suffered multiple brain infarctions with subsequent partial visuo-spatial agnosia which prevented her from either recognizing and/or restoring the alleged imperfections in the painting "The Three Generations".