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PubMed1998

A note on a phrase in Shakespeare's play King Lear: 'a plague upon your epileptic visage'.

In Shakespeare's play King Lear the word 'epileptic' appears (used in a derogatory manner). This is held to be the first appearance of the word in the English language (although we have found earlier English references to the word which Shakespeare may have read). Textual analysis of the lines following the use of 'epileptic' suggests that it is actually a reference to the pock-marks of syphilis, endemic in Elizabethan England, and is not actually a reference to epilepsy itself.

Drama↗
PubMed1991

Historical terminology of eating disorders.

Using a wide range of rare, early printed sources, including literary material, some of the first English language dictionaries, medical lexicons and medical texts, the historical origins, development and application of five terms relating to eating abnormalities are investigated. It is demonstrated that four of these, which are in current psychiatric usage, exhibited notable consistency of meaning and application over many centuries.

Feeding and Eating Disorders↗
PubMed2000

A mirror to analysis.

Three books written by psychiatrists for a lay audience are examined. Two are novels, and the third is a psychiatrist's account of the years of his psychiatric residency training. In all three books psychoanalysts are portrayed in negative roles, as arrogant, cold, uncaring, and even venal. The reasons why psychiatrists would portray analysis in this light are examined, and some ways in which psychoanalysts will need to re-examine their role in education and in their relationships with psychiatric colleagues in order to counteract this negative "mirror" are suggested.

Attitude of Health Personnel↗
PubMed2000

The products of the imagination: psychoanalytic theory and postmodern literary criticism.

This article considers some of the affinities between postmodern literary theory and the psychoanalytic theories concerned with intersubjective phenomena. Postmodern literary theory is described briefly, and it is argued that one of its major concerns is the nature of, and the political and cultural influences on, subjectivity and identity. Despite that, postmodernism generally, and literary postmodernism in particular, can be said to lack a theory of the psychological and interpersonal dimensions of the experience of self. This article contends that the more relational schools of psychoanalytic theory can provide an example of the construction of selfhood that is of importance to contemporary and postmodern literary criticism. The academy has, to a considerable extent identified 'psychoanalysis' with the work of Jacques Lacan, but since the 1980s the work of such theorists as Jane Flax and Jessica Benjamin, building on the work of Nancy Chodorow, have increasingly opened up the possibilities of relational and object relations theory for literary studies. The relational psychoanalytic theories operate in the same epistemological universe as postmodern literary criticism, congruent with the postmodern idea of 'truth' as constructed and relational, and selfhood as shifting, contingent, and always-in-process. Particular attention is paid to the work of Wilfred Bion, whose understanding of self provides an account both of the failure of meaning, and of the development of mind. Some examples of a relational approach to literary analysis are provided.

Humans↗