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Mind, brain, body, and soul: a review of the electrophysiological undercurrents for Dr. Frankenstein.

Mary Shelley's Frankenstein is perhaps the most famous work of medical science fiction. She and her husband, the poet Percy Shelley, were aware of nascent neuroscience experimentation and the effects of electricity on neuromuscular function. Such experiments generated theories of voluntary, involuntary, and unconscious neuromuscular function; animal electricity; and the anima--the human vital principle. In Germany and Italy, investigators were performing bizarre electrical experiments on animals and humans to "reanimate" lifeless limbs and bodies. These demonstrations and theories find expression in Frankenstein and provide models for Dr. Frankenstein and his creation.

Brain↗
PubMed2003

Encountering the shadow in rites of passage: a study in activations.

Jung's concept of the shadow is explored in this paper through his writings on its realization and assimilation in which he says the shadow may be experienced as the regressed and denied 'other self' in each individual. However, this is not the whole picture, and he also points to the fact that the shadow contains more than something merely negative. While in no way treating them as 'patients', the paper will also touch on the experience of the anthropologist, Bronislaw Malinowski, and the writer, Joseph Conrad, in their personal encounters with the shadow. All three encountered the shadow whilst going through rites of passage of their own and each owes much to the Romantic Movement. In this context, attention is directed to the writings of the philosopher and theologian, Johann Gottfried von Herder, who discovered a deeper understanding of his destiny in the course of a sea voyage.

Ego↗
PubMed1995

Reclaiming 'Big Nurse': a feminist critique of Ken Kesey's portrayal of Nurse Ratched in One Flew Over the Cuckoo's Nest.

Nurse Ratched or 'Big Nurse' in Ken Kesey's counter-culture novel One Flew Over the Cuckoo's Nest is one of popular culture's most arresting and memorable images of the nurse. She is, however, deemed to be remarkable primarily for her malice and authoritarianism. This paper argues that such a purely realist reading fails to fully appreciate the significance of the character of Nurse Ratched. A feminist critique of the novel contends that the importance of 'Big Nurse' is less related to how realistic/unrealistic or good/bad she is as a nurse. Nurse Ratched is important because she exemplifies all that traditional masculinity abhors in women, and particularly in strong women in positions of power and influence. This paper explores the stereotype of 'Big Nurse' and argues that Kesey's vision of her ultimate 'conquest' is not a progressive allegory of 'individual freedom', but a reactionary misogyny which would deny women any function other than that of sexual trophy.

Authoritarianism↗
PubMed1995

The spirit of nursing and its healing art: a Jungian perspective.

Timely change is in the air as interest grows in the riches of nursing literature and other creative arts of nursing. Using Jungian and sociological concepts, this article takes a personal look at the literature's contribution to the profession. As the image of contemporary nursing is redefined, the power of the creative is evident, both in its grounding effect on individual practice and its unifying and strengthening potential for a changing profession.

Humans↗
PubMed1995

Nurses, nursing and representation: an exploration of the effect of viewing positions on the textual portrayal of nursing.

Textual portrayals of nursing can be 'read' from a number of possible viewing positions, which play a very real part in the way that our reality is constructed and understood. The image depends on which viewing position is chosen by or constructed for the viewer, and how the viewer interacts with that position. Thus without the viewer the image is incomplete. This paper is a beginning exploration of the nature of texts that portray nursing, and what Kaplan has termed the 'delicate negotiation' between the reader and the text in producing, in this case, understandings of nursing. Consequently the discussion focuses on how texts represent nursing, not in terms of what they portray, but how understandings of that portrayal are arrived at. This is to move exploration of portrayals of nursing from the descriptive to the discursive realm. In so doing the aim is to begin to explore and uncover the way in which we are positioned, and position ourselves, as readers of portrayals of nursing in text.

Attitude↗
PubMed1997

Sairey Gamp: generating fact from fiction.

Australian midwives today are generally employed by maternity hospitals as obstetric or maternity nurses and specialize in only one area of the childbirthing process, under the umbrella of medicine. This is quite different to the provision of midwifery care in the nineteenth and early twentieth centuries in Australia, when childbirthing took place within a home setting, with a community midwife in attendance under the umbrella of the household. Australian midwives are now attempting to regain some of the autonomy that they believe was possessed by midwives of the past by being professionally accredited to operate as independent midwives. The de-institutionalization of childbirthing cannot simply come about by giving midwives accreditation to operate as autonomous practitioners, as the forces that led society to institutionalize childbirthing practices, as well as the avenues for change, are complex. This paper examines one of the forces behind that change: the denigration of the image of the community midwife by the medical and nursing professions, through the character of Sairey Gamp created by Charles Dickens. By examining the historical terrain and the historical influences that led to the demise of the community midwife, we can provide answers for debate on the present status of the midwife.

Australia↗
PubMed1996

The portrayal of the doctor in non-medical literature. 15. The surgeon.

Fictional surgeons are perceived as confident and competent individuals. They may not have a profound knowledge of basic physiology or statistical methods and their social behavior may lack refinement, but they are great technologists and most of their patients get better. Inside the operating room, surgeons are absolute autocrats, with a few abusing their position and turning into petty tyrants. The prominent status of fictional surgeons within the medical profession is reflected in their arrogant and patronizing attitudes towards patients, primary care doctors and non-surgical specialists. Fictional surgeons are impatient, irascible and aggressive. These traits make them poor communicators and teachers. A few are suspected of harbouring sadistic tendencies. On the other hand, when the surgeon turns his aggression towards the disease process rather than his colleagues or his trainees, it enables him to achieve some spectacular therapeutic successes.

Attitude of Health Personnel↗
PubMed2006

The death of a mind: a study of Shakespeare's Richard III.

Some of the most difficult aspects of our work involve our encounters with states of mind which are steeped in and spread violence. In these circumstances, we experience our best efforts to offer empathic presence and thought to avoid being assaulted and obliterated. In these instances, a figure from literature depicting the details in question may come to our aid. In the play popularly known as Richard III,William Shakespeare depicts how the state of mind which is etched by grievance and committed to revenge may impose the 'winter of (its) discontent' upon the sunny dispositions of others' healthy, integrated functioning. Shakespeare masterfully depicts Richard's cunning and malice, but he also illustrates how this vengeful state uses guile and 'changes of shape' to seduce its way past protective boundaries, utilizing the human qualities of trust, open-heartedness and longing as pathways for invasion, betrayal and emotional devastation. This paper will view excerpts of the play's text from a psychoanalytic perspective which suggests that several clear lessons about this obliterative state of mind may be gleaned: that grievance can only operate to spread grievance and destruction; that our open-hearted and trusting qualities do make us vulnerable to such invasion and betrayal, but that our humanity is also the only avenue for rescue from this plight. In addition a clear lesson is offered about the value of protected 'sanctuary', that is, mental space where our most potent tool in these circumstances, our discerning minds, might find residence.

Drama↗
PubMed1993

Sometimes Jello helps: perceptions of headache etiology, triggers and treatment in literature.

Throughout history writers have attempted to describe the symptoms and evoke the misery of "a dismal headache." Writers from Plato to Stephen King have used the phenomenology of headache to illustrate their work. Lewis Carroll, for example, vividly describes the central scotoma, tunnel vision, phono-phobia, vertigo, distortions in body image, dementia and visual hallucinations that often accompany migraine. Although many authors have discussed the topic seriously, others have addressed the issue in a dismissive and even contemptuous manner, relegating this very real disorder to the status of a medical stepchild. We will examine headache etiology, triggers and treatment and explore the attitudes toward headache and headache sufferers found in literature. We have recently seen a growing understanding of the physiological basis of headaches. However, this knowledge has not yet reached the level of literature or popular culture. In an age when it seems every Sunday night brings a new "disease of the week" movie, and every human ill is subjected to often intense and numbing scrutiny by the media, the anguish of a chronic migraine sufferer will probably remain unexplored--unless she kills her husband and children during an attack.

Headache↗