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PubMed1989

The temporal distribution of stimulus information in the visual evoked potential.

Research in psychophysics (Bloch's law) and perceptual experiments concerned with the integration of successively presented stimuli suggest that the perception of form is a process that occurs over a period of as much as 200-300 msec. Such results prompted the question of whether the visual evoked potential (VEP) might contain information about the distribution over time of perceptual processing. Subjects viewed lines formed from combinations of three lengths and four angles while the EEG was recorded. Analysis of the VEPs indicated that the length and angle of the lines produced temporal distributions of information in the VEP and that the distributions for length and angle were somewhat different. The major difference was that the processing of angle begins earlier and is completed sooner than the processing of length. A conclusion of the experiment was that an alternative or supplement to analyzing VEPs for specific waveform features is to consider the encoding of stimulus information in the VEP as a density or concentration over time.

Adult↗
PubMed1990

The relation between color spreading and illusory contours.

In the present study, we examine the relation between neon color spreading (Redies & Spillmann, 1981) and illusory contours. In Experiment 1, the effects of misalignment between the line elements on the illusory contours in the Ehrenstein figure and in the Redies-Spillmann figure were examined. The remarkable overlap of the two curves for the likelihood of perceiving illusory contours in the Ehrenstein figure and in the Redies-Spillmann figure suggests that the illusory contours surrounding brightness enhancement (Ehrenstein, 1941) and those surrounding neon color spreading are caused by the same mechanism. We further examined both the effects of the interposed grids seen either in front of or behind the figures (Experiment 2) and the effects of misalignment (Experiment 3) on the illusory contours and range of color spreading, and found a high correlation between the appearance/disappearance of illusory contours and global/local color spreading. In Experiment 4, we added new lines to induce illusory contours to the line elements inducing local color spreading. We found that global color spreading was seen to cover the area surrounded by the illusory contours. On the basis of these findings, we suggest that there is an interaction between illusory contours and local color spreading.

Adult↗
PubMed1990

Visual alleys as a function of instructions under informative and reduced conditions of viewing.

Three experiments were designed to explore parallel and distance alleys as a function of instructions (apparent and objective) under three different distance-cue conditions. The main findings were that (1) the alleys for the apparent instructions were positioned closer to the median plane than those for the objective instructions, (2) in an indoor setting, the parallel and distance alleys were not different under either the apparent or the objective instructions, and (3) in an outdoor setting, the parallel alley lay inside the distance alley under both the apparent and the objective instructions. On the basis of comparison with some of the previous alley studies, it is suggested that exact control of instructions will not produce great discrepancy between the parallel and the distance alleys that were constructed indoors.

Adult↗
PubMed1995

Cross-modal slant and curvature matching of stereo- and motion-induced surfaces.

In many laboratory setups and in many day-to-day situations, a unique solution of the structure-from-two-views problem is unobtainable. Yet, when the visual system is presented with two projections in a sequence, it nevertheless appears to generate a reasonably stable percept of structure. In the research reported here, we examined whether the same surface would be perceived when subjects were presented with a pair of views that alternated in time monocularly (two-frame motion) or were shown simultaneously to both eyes (stereo). In Experiment 1, we studied slant perception: human observers were asked to match the slant of a motion-induced planar surface with its stereo-induced counterpart. In Experiment 2, the perceived curvature of parabolic surfaces was matched in a similar way. The results show that motion-induced slant is matched with a higher value of the stereo-induced slant. However, the curvature experiment showed that motion-induced curvature is matched with a lower stereo-induced curvature. One possible explanation may be that the slant and curvature are internally inconsistent in at least one of the modalities.

Attention↗
PubMed1995

Visual discrimination of local surface depth and orientation.

Many theoretical analyses of 3-dimensional form perception assume that visible surfaces in the environment are perceptually represented in terms of local mappings of metric depth and/or orientation. Although this approach is often taken for granted in the study of human vision, there have been relatively few attempts to demonstrate its psychological validity empirically. In an effort to shed new light on this issue, our research has been designed to investigate the accuracy with which observers can discriminate metric depth and orientation intervals on smoothly curved surfaces. Observers were presented with visual images of surfaces defined by shading and/or texture, on which two pairs of points were designated with small dots. In Experiment 1, their task was to identify which pair of points had a greater difference in depth; in Experiment 2 they were required to judge which pair had a greater difference in orientation. The Weber fractions obtained for these tasks were 10 to 100 times greater than those that have been reported for other types of sensory discrimination, indicating that the perception of metric structure from these displays is surprisingly coarse grained.

Attention↗
PubMed1994

On the naming of color words and color patches.

Subjects can name color words faster than they can name color patches. To account for that effect, a generic model of naming is described which assumes that words access the mental lexicon directly, whereas color patches do so only indirectly via an initial imaginal or semantic representation. However, Lund (1927) reported that the naming advantage for words disappeared when all the items to be named on a page were the same (i.e., they were blocked). In the present study, three experiments are reported that were designed to provide a clearer empirical definition of Lund's blocking effect and to ascertain the extent to which it requires a modification of the generic model. The blocked lists had 50 items arranged into 10 blocks, with each block homogeneous with respect to color. The block lengths were either all a predictable length of 5 items or they varied randomly from 1 to 9 items. The data indicated the following: (1) The blocking effect occurred even when the task required a full identification of each item, and (2) the blocking effect was confined to within-block transitions. Blocking seemed to eliminate the word advantage by allowing the subject to re-use the lexical entry used for the immediately prior items, which is consistent with the generic model.

Color Perception↗
PubMed1994

Priming of pop-out: I. Role of features.

We examined a visual search task, in which observers responded to the high-acuity aspect of a pop-out target (shape of an odd-colored diamond or vernier offset of an odd spatial-frequency patch). Repetition of the attention-driving feature (color or spatial frequency) in this task primes the pop-out; repetition of the high-acuity aspect (shape, vernier offset) does not. Priming of pop-out is due to a decaying memory trace of the attention-focusing feature laid down with each trial. The trace exerts a diminishing effect over the following five to eight trials (approximately 30 sec), and its influence over this time is cumulative. Observers cannot wilfully overcome the priming, which suggests that it is passive and autonomous. Both target facilitation and distractor inhibition are evident; the former has a greater effect. The phenomenon shows complete binocular transfer.

Attention↗
PubMed1994

Do locally defined feature discontinuities capture attention?

Results from previous visual search studies have suggested that abrupt onsets produce involuntary shifts of attention (i.e., attentional capture), but discontinuities in simple features such as color and brightness do not (Jonides & Yantis, 1988). In the present study we tested whether feature discontinuities (i.e., "singletons") can produce attentional capture in a visual search task if defined "locally" or over a small spatial range. On each trial, a variable number of letters appeared, one of which differed from the others in color or intensity. The location of this singleton was uncorrelated with target location. Local discontinuities were created by embedding the letters in a dot texture. In Experiment 1, display size effects for singleton targets were not reduced with the addition of a background dot texture. Similar results were obtained in Experiment 2, regardless of variations in texture density. Experiment 3 confirmed that when targets are defined by a color or intensity singleton, they are detected preattentively, and that increasing texture density yields faster detection. We conclude that the spatial range over which feature discontinuities are defined may influence the guidance of spatial attention, but it has no influence on their ability to capture attention.

Attention↗
PubMed1989

Discovering phonetic coherence in acoustic patterns.

Despite spectral and temporal discontinuities in the speech signal, listeners normally report coherent phonetic patterns corresponding to the phonemes of a language that they know. What is the basis for the internal coherence of phonetic segments? According to one account, listeners achieve coherence by extracting and integrating discrete cues; according to another, coherence arises automatically from general principles of auditory form perception; according to a third, listeners perceive speech patterns as coherent because they are the acoustic consequences of coordinated articulatory gestures in a familiar language. We tested these accounts in three experiments by training listeners to hear a continuum of three-tone, modulated sine wave patterns, modeled after a minimal pair contrast between three-formant synthetic speech syllables, either as distorted speech signals carrying a phonetic contrast (speech listeners) or as distorted musical chords carrying a nonspeech auditory contrast (music listeners). The music listeners could neither integrate the sine wave patterns nor perceive their auditory coherence to arrive at consistent, categorical percepts, whereas the speech listeners judged the patterns as speech almost as reliably as the synthetic syllables on which they were modeled. The outcome is consistent with the hypothesis that listeners perceive the phonetic coherence of a speech signal by recognizing acoustic patterns that reflect the coordinated articulatory gestures from which they arose.

Adult↗
PubMed1989

Pictorial depth and the Poggendorff illusion.

An informal demonstration is offered, which strongly supports previous contentions that, when the elements of a Poggendorff display appear to be arranged in pictorial space such that the two critical line segments are at different heights, an illusory impression of misalignment may occur. A second pair of demonstrations shows, however, that such a height difference is neither a necessary nor a sufficient cause of the illusion. In addition, the harmful effect of adding certain pictorial elements to the standard Poggendorff pattern requires a new understanding.

Attention↗