Sensitivity of dolphin's hearing as a function of the sound-source position.
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Thresholds for the appearance of evoked potentials to clicks in test series were determined in the quiet and in conditions of sequential masking of one stationary and four moving sound images. Differences in the thresholds for the appearance of evoked responses to signals in the quiet and in the presence of the marker were taken as a measure of the extent of masking. The overall responses of the auditory area of the guinea pig cortex showed direct masking as a clear reduction in the magnitude of the response to the first click in the series as compared with the response in the quiet. The extent of masking decreased with increases in the time delay and was independent of the position of the sound image corresponding to this click in different test signals. This observation may provide indirect support for the hypothesis that the initial part of the signal is subject to greater masking than the final part. The magnitude of responses to subsequent clicks in series were determined by a combination of two factors--the action of the sequential masker in the "masker-signal" system and the interaction between the responses to individual clicks in the series making up the test signal.
BACKGROUND: It is known that auditory input, such as comforting music or sound, blunts the human response to surgical stress in conscious patients under regional anaesthesia. As auditory perception has been demonstrated to remain active under general anaesthesia, playing comforting sounds to patients under general anaesthesia might also modulate the response of these patients to surgical stress. METHODS: Fifty-nine patients scheduled for laparoscopic cholecystectomy were anaesthetized with propofol general anaesthesia in combination with epidural anaesthesia. Natural sounds, chosen preoperatively by each patient as being comforting, were played to 29 patients using headphones during surgery (S group) and the remainder of the patients (n = 30) were fitted with dummy open-type headphones (N group). We compared the haemodynamic change during anaesthesia and the acceptability of anaesthetic practice between the two groups in a randomized double-blind design. RESULTS: There were no differences in haemodynamics between the S and N groups during surgery. During the emergence from anaesthesia, the mean blood pressure and heart rate gradually increased; both parameters were significantly higher in the N group than in the S group. Postoperatively, patients in the S group perceived the experience of anaesthesia as significantly more acceptable than did those in the N group. CONCLUSION: These findings indicate that allowing patients comforting background sounds during general anaesthesia may blunt haemodynamic changes upon emergence from general anaesthesia and increase the acceptability of the experience of anaesthesia.
Four signal-detection experiments demonstrated robust stimulus-driven, or exogenous, attentional processes in selective frequency listening. Detection of just-above-threshold signal tones was consistently better when the, signal matched the frequency of an uninformative cue tone, even with relatively long cue-signal delays (Experiment 1) or when as few as 1 in 8 signals were at the cued frequency (Experiment 2). Experiments 3 and 4 compared performance with informative and uninformative cues. The involvement of intentional, or endogenous, processes was found to only slightly increase the size of the cuing effect beyond that evident with solely exogenous processes, although the attention band, a measure of how narrowly attention is focused, was found to be wider when cues were informative. The implications for models of auditory attention are discussed.
Interval scales of sensory magnitude were derived from magnitude and category estimates of loudness differences, loudness similarities, pitch differences, and pitch similarities. In each of the four loudness experiments, a loudness scale was constructed from a nonmetric analysis of the rank order of the judgments. The four loudness scales so constructed were found to be equivalent to one another and indicated that loudness was a power function of sound pressure with an exponent of .29. A similar analysis for the four pitch experiments found the pitch scales derived in each case to be equivalent to one another and linear with the mel scale of pitch. Thus the same sensory and similarities for two distinct perceptual continua. For both pitch and loudness, these sensory scales were used to generate scales of sensory differences. A comparison of the category and magnitude estimates of sensory differences with the scale of sensory differences derived from the nonmetric analyses indicated the presence of significant response biases in both category and magnitude estimation procedures.
Noise-localization thresholds and the ability to localize pure tones at 60 degrees separation were determined for gerbils. The gerbils were trained using a two-choice procedure with observing response in which the gerbils made a left or right response to sounds emanating from their left or right side in order to obtain food. The average 75% correct localization threshold of 7 gerbils for a 100-ms noise burst was 27 degrees with chance performance (p greater than .01) reached at 12 degrees. The ability of 4 gerbils to localize both low- and high-frequency pure tones indicates that gerbils are able to use both phase- and intensity-difference locus cues. The frequency at which tone localization was poorest was 2.8 kHz, well below the theoretical frequency of ambiguity of the phase cue but within the frequency range at which phase locking declines in the mammalian auditory system. The sound localization ability of gerbils is typical of small rodents, and there is no obvious sign that it is affected by the degenerative disorder of the central auditory system which has been recently discovered in gerbils.
In Experiment 1, frequency-discrimination thresholds were estimated in a 2-interval, forced-choice, backward masking procedure with a masker acoustically dissimilar to the targets. Young subjects were more efficient in escaping the effects of masking than were their elderly counterparts. In Experiment 2, young and elderly subjects performed the same task, with a masker acoustically similar to the targets and with a target-dissimilar masker. Under target-similar masking and at short target-masker intervals, the elderly demonstrated significant improvement, reaching the level of performance of the young, whereas under the target-dissimilar masker, the age-related differences were restored. Both age-related slowing of information processing and increase in stimulus persistence can account for the results of Experiment 1, but only increased stimulus persistence explains the results of Experiment 2.
A new combination of operant conditioning and psychophysical scaling procedures was used to study auditory perception in a small bird. In a same-different discrimination task, budgerigars learned to discriminate among pure tones that varied along one or more acoustic dimensions. Response latencies were used to generate a matrix of interstimulus similarities. Multidimensional scaling procedures were used to arrange these acoustic stimuli in a multidimensional space that supposedly reflects the bird's perceptual organization. For tones that varied in intensity, duration, and frequency simultaneously, budgerigars were much more sensitive to frequency changes. From a set of tones that varied only in intensity, it was possible to calculate the growth of loudness with intensity for the budgerigar. For tones that varied only in frequency, budgerigars showed evidence of an "acoustic fovea" for frequency change in the spectral region of 2-4 kHz. Budgerigars and humans also differed in their perceptual grouping of tone sequences that rise, fall, or remain constant in pitch. Surprisingly, budgerigars were much less responsive to pitch contour than were humans.
The authors conducted 3 experiments investigating the effects of aging on higher order auditory processes. They compared younger and older adults with respect to (a) their auditory channel capacity, (b) the extent of their top-down control over auditory gain, and (c) their ability to focus attention on a narrow band of frequencies. To ensure that subclinical cochlear processing deficits in older adults (e.g., higher thresholds, poorer discrimination of frequency and intensity differences) did not limit performance, the authors used only stimuli that were perfectly discriminable by all participants. No age differences were found in any of these experiments, suggesting that some higher order auditory processes (e.g., top-down control over auditory gain, auditory attention) are preserved in normal aging, despite numerous age-related declines in peripheral auditory functionality.
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Explore the source record for details and available documents.
Explore the source record for details and available documents.
Explore the source record for details and available documents.
Explore the source record for details and available documents.
Four cats were trained to avoid shock by responding to the intermittent occurrence of 1-kHz tone pulses at one ear, while a continual train of noise pulses was simultaneously presented either to the signal ear alone or to both ears. Using the masked threshold levels determined with monaural noise as a reference, the amount of unmasking produced by the addition of noise to the nonsignal ear was measured. Significantly lower tonal detection thresholds were observed when noise equal in intensity to that at the signal ear was added to the nonsignal ear. Additional unmasking occurred when the intensity of the noise at the latter ear was raised to a level 10 db. higher than that at the signal ear.
As in other songbirds, early deafening had drastic effects on the song of the roller canary, a cardueline finch, resulting in a song that was much simpler and more variable than the normal. The repertoire of the syllable types, of which the song is made, was reduced from 30 to a mean of 5.0. Loud white noise was successfully used as a reversible method of cutting off auditory feedback from vocal behavior. Although suffering permanent elevation of hearing thresholds, birds reared in noise to 200 days, singing at first like deaf birds, subsequently increased their syllable repertoires significantly. Birds reared in noise to weaning at 40 days, again partly deaf, achieved a normal repertoire size when stimulated with a singing adult. Without such stimulation the repertoire was significantly reduced, showing that canary song is not fully innate, as had been thought. Although abnormal, the song of deaf canaries retained more species-specific features than did the song of emberizine sparrows when the songs developed without auditory feedback. The results are interpreted in terms of a sensory template theory.