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At least 19 recordsLinked to original sources

Severely disturbed children's human figure drawings: are they unusual or just poor drawings?

Previous research has shown that the human figure drawings of severely disturbed children contain more emotional indicators than those of well-adjusted children, whether the well-adjusted children are of the same chronological age or are younger but of the same mental age as the severely disturbed children. This finding suggests that the disturbed children's drawings may be different rather than merely immature. A problem with previous research, however, is that groups have not been matched for drawing ability. In study 1 of this paper each drawing of 44 severely disturbed boys was matched with that of a normal boy according to its score on the Goodenough-Harris scoring system. There was no significant difference between the groups in the number of emotional indicators included in the drawings. Furthermore, in study 2, judges could not discriminate the drawings of the two groups. It was concluded that the differences noted in previous research were most likely due to the poorer drawing ability of the severely disturbed children rather than unusual features in their drawings.

Affective Symptoms↗

Drawing conclusions: a re-examination of empirical and conceptual bases for psychological evaluation of children from their drawings.

PURPOSE: Although consideration of children's art work (usually drawings) in clinical investigations of children referred to psychologists is fairly common, there is little evidence for the reliability and validity of such assessments. We consider a variety of possible mechanisms which could operate to influence the characteristics of children's drawings, and review the evidence that such mechanisms operate to allow meaningful psychological evaluations of children from their drawings. METHODS: The problem for making a reliable interpretation of the significance of a drawing is that a given feature could plausibly support several very different interpretations, depending which of many possible processes was active or dominant in the production of the drawing. Evidence from studies of clinical populations and experimental studies with non-selected samples are reviewed in the light of these possibilities. RESULTS: The review indicates that drawings are inaccurate and unreliable as personality or state assessments but can be influenced by children's emotional attitudes towards the topics depicted. The form of that expression, however, may be personal and idiosyncratic. Analogue studies of these effects undertaken with non-clinical samples under controlled conditions have produced mixed results. At best the reported effects are small. CONCLUSIONS: Children's drawings on their own are too complexly determined and inherently ambiguous to be reliable sole indicators of the emotional experiences of the children who drew them. Further research is needed to establish the extent to which such drawings can usefully facilitate assessment of children by other means or provide useful support as one of several converging lines of evidence.

Art↗

Children's drawings of an anxiety-eliciting topic: effects on the size of the drawing.

Our aim was to investigate whether or not children's drawings of a potentially threatening topic (a Hallowe'en witch) were made significantly smaller than drawings of a non-threatening topic (a woman). The first study confirmed an earlier claim by Craddick (1963) that drawings of a witch were made significantly smaller on the day before Hallowe'en compared to drawings made one week before or after, but we found that drawings of a non-threatening topic (a woman) changed in size in exactly the same way. Furthermore, we found no evidence that children became significantly more frightened of witches as Hallowe'en approached. In the second study, questionnaire responses were used to allocate children into two groups, those who were scared of witches and those who were not. Scared children drew both smaller witches and larger women than did non-scared children, with the result that relative heights of witches compared to women differed significantly between the two groups. However, only the difference in the height of the drawings of a woman was statistically significant. The implications of these results for the clinical assessment of children through their drawings are discussed.

Anxiety↗

Draw It again Sam: the effect of drawing on children's suggestibility and source monitoring ability.

Preschool children (aged 3 to 6 years) participated in a magic show. Later, the children were given repeated true and false reminders about the show. Half the children were asked to draw these true and false reminders (drawing condition) and half the children were asked questions about the reminders but not to draw them (question condition). Later, children in the drawing condition had better recall of true reminders than children in the question group; however, children in the drawing group also recalled more false reminders than children in the question group. Finally, although children in the drawing group had better memory of the source of the reminders than children in the question group, both groups equally reported that the false reminders actually happened.

Art↗

Drawing insight from pictures: the development of concepts of false drawing and false belief in children with deafness, normal hearing, and autism.

Theory-of-mind concepts in children with deafness, autism, and normal development (N = 154) were examined in three experiments using a set of standard inferential false-belief tasks and matched sets of tasks involving false drawings. Results of all three experiments replicated previously published findings by showing that primary school children with deafness or autism, aged 6 to 13 years, scored significantly lower than normal-developing 4-year-old preschoolers on standard misleading-container and unseen-change tests of false-belief understanding. Furthermore, deaf and autistic children generally scored higher on drawing-based tests than on corresponding standard tests and, on the most challenging of the false-drawing tests in Experiment 2, they significantly outperformed the normal-developing preschoolers by clearly understanding their own false intentions and another person's false beliefs about an actively misleading drawing. In Experiment 3, preschoolers outperformed older deaf and autistic children on standard tasks, but did less well on a task that required the drawing of a false belief. Methodological factors could not fully explain the findings, but early social and conversational experiences in the family were deemed likely contributors.

Adolescent↗

Human figure drawings and house tree person drawings as indicators of self-esteem: a quantitative approach.

This study assessed the concurrent validity of Human Figure Drawings (HFD) and House-Tree-Person (HTP) drawings as measures of self-esteem. Adult subjects were requested to make HFD and HTP drawings and to complete measures of psychological adjustment which included the Coopersmith Self Esteem Inventory and Tennessee Self Concept Scale. The drawings were scored using a quantitative, composite rating scale derived from HFD and HTP empirical and theoretical literature on psychological health. Results indicated that neither the HFD nor the HTP quantitative composite ratings of psychological health related to the formal measures of self-esteem.

Adult↗

Ethnic differences in the Goodenough-Harris draw-a-man and draw-a-woman tests.

The draw-a-man (DAM) and draw-a-woman (DAW) tests were given to 307 schoolchildren in Petaling Jaya, Malaysia. The children were ethnically Malay, Chinese, or Indian (Tamil), and all came from lower socioeconomic groups. The standard scores of the Chinese children averaged 118 in the DAM and 112 in the DAW tests. These scores were significantly better than the American standards. Malay children scored significantly lower than Chinese, and Tamil children scored lower again. The nutritional status of the children had no influence on the scores. Chinese and Tamil children scored better in the DAM than the DAW, while in Malay boys the reverse was true. Malay children tended to emphasise clothing in the DAM, but Chinese and Tamil children scored better on items relating to facial features and body proportions. The Goodenough-Harris draw-a-person tests are obviously not culture-free, but the causes of ethnic differences have not been elucidated.

Child↗

A case study comparison of the Draw-A-Person and Kinetic Family Drawing.

A case is presented illustrating the diagnostic and therapeutic value of human figure drawings. The case study, an 11-year-old boy recovering from viral encephalitis, compares two projective techniques--the Draw-A-Person and the Kinetic Family Drawing. The tests were administered pre- and post-treatment. The relative merit of each technique within the therapeutic context is discussed.

Art↗

Children's drawings of topics differing in emotional significance--effects on placement relative to a self-drawing: a research note.

Children aged 4-6 years were asked to add drawings of someone they liked and someone they disliked to a picture of themselves. Liked figures were drawn closer than disliked figures to the self-figure only when the procedure was standardized and controlled so as to equate the tasks of positioning each of the added figures. With unmatched positioning tasks there was no effect of significance of figure on placement. The data demonstrate that a child's emotional attitude to a figure can affect its placement in a drawing, but that the effect is weak and easily masked.

Art↗

Height on the draw-a-person: comparison of figure drawings of black and white male drug abusers.

The Draw-A-Person Test was administered to 30 black and 30 white male drug abusers, in a residential therapeutic community. Mean height and mean area of the female figures drawn by the black subjects were greater than the mean height and mean area of the female figures drawn by the white subjects. More black subjects drew the female figure taller than the male figure. Data were discussed in regard to family background and socio-cultural considerations.

Adolescent↗

Music draws attention to the left and speech draws attention to the right.

Providing free-field music input prompts right-handers to attend to their left side in a loudness-matching task that requires no musical analysis. Conversely, speech prompts rightward attention. The processes inferred are akin to the attentional asymmetry demonstrated in the syndrome of hemispatial neglect.

Adult↗