[Mythology of the imaginary or imaginary mythology? History and critique of psychoanalytic myth interpretation].
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The usefulness of anecdotal analogies from Indian mythology in therapeutic work with rural mental health patients has been reported. The author encountered evidences for the same in his clinical work. He then undertook to collect from Indian mythological literature excerpts containing psychotherapeutic and related themes. Examples of a few of those themes are presented to stimulate the interest of therapists in the vast therapeutic potential in mythologies. The mental health profession would benefit from examining mythologies of other cultures, and experimenting in using them in therapy.
Some current scientific theories of cosmogony demonstrate significant similarities to the cosmological theories of mythology and of certain religions. The notion that the universe originated in a specific cataclysmic explosion raises the mental construct of a center of the universe. This concept plays an important role in mythology and is related to the idea of the cyclical renewal of time. Such concepts, both scientific and mythological, serve as reassurance against the fear of extinction. Aspirations to immortality re-emerge in disguised form in the search for life elsewhere in the universe. Some of the cosmological theories resemble metaphorical elaborations of childhood concepts of procreation.
"The Chimaera" in Homer's Iliad, "was of divine stock, not of men, in the forepart a lion, in the hinder a serpent, and in the midst a goat, ellipsis Bellerophon slew her, trusting in the signs of the gods." In Hesiod's Theogony it is emphasized that "Chimaera ellipsis had three heads, one of a grim-eyed lion, another of a goat, and another of a snakeellipsis". In addition to this interspecies animal chimera, human/animal chimeras are referred to in Greek mythology, preeminent among them the Centaurs and the Minotaur. The Centaurs, as horse/men, first appear in Geometric and early Archaic art, but in the literature not until early in the fifth century B.C. The bullheaded-man Minotaur, who is not certainly attested in the literary evidence until circa 500 B.C., first appears in art about 650 B.C. Attempts, in the fourth century B.C. and thereafter, to rationalize their mythical appearance were in vain; their chimeric nature retained its fascinating and archetypal form over the centuries. Early in the 1980s, experimental sheep/goat chimeras were produced removing the reproductive barrier between these two animal species. Late in the 1990s, legal, political, ethical, and moral fights loomed over a patent bid on human/animal chimeras. Chimeric technology is recently developed; however, the concept of chimerism has existed in literary and artistic form in ancient mythology. This is yet another example where art and literature precede scientific research and development.
In this paper I seek to challenge the dominant modes of conceiving the relationship between memory and national identity, and in so doing offer analysts of nationalism an improved understanding of the dynamics of national identity formation. The concept of collective memory is invoked regularly in attempts to explain the pervasiveness and power of nationalism. I argue that the concept is misused routinely in this context, and instead I employ a 'social agency' approach to theorizing, whereby memory is conceived in a more limited and cogent manner. I argue that it is important to distinguish clearly between memory and mythology, both of which are essential to understanding national identity, for not only are the two concepts distinct, they can also act in opposition to each other. Following from this I introduce the notion of a 'mythscape', the temporally and spatially extended discursive realm in which the myths of the nation are forged, transmitted, negotiated, and reconstructed constantly. Through employing the idea of a mythscape we can relate memory and mythology to each other in a theoretically profitable way.
OBJECTIVE: To compare well established antecedents and correlates of completed suicide with the motives and the mechanics reported in Greek mythology. METHOD: A well-known collection of Greek myths, the Book of fables by Hyginus, was explored to investigate the mechanics driving an individual to imagine, design and carry out a suicide attempt. RESULTS: Females outnumber males in the mythographer's list, their favourite methods to die being drowning, hanging, self-burning and throwing themselves down from on high. Some kind of familial recurrence of suicide was accounted for, and a large percentage of these suicides was connected to incest. Shame, sense of guilt and grief for the death of a loved one are the most frequently reported psychological correlates of the act, whereas defeat, failure or a catastrophic change in living conditions and, among females, an unfortunate love affair figure as the main antecedents of suicide. CONCLUSION: Negative life events and emotional reactions to the severing of social ties frequently occur as antecedents of suicide in Greek mythology.
Viewing personal myths as cognitive structures, this paper examines the existing literature on cultural mythology, considers its relationship to personal mythology, and proposes an understanding of personal myths as a means of enhancing individuals' control over their lives. Its applicability to therapeutic counseling and its role in a holistic public psychology are discussed.
We reviewed many of the essential Greek myths to identify the methods used at that time to relieve the pain of both illness and surgery, and we discovered many pioneering methods. Both gods and demigods implemented these methods to ease pain, to conduct surgery, and, on occasion, to kill mythological beings. The myths describe the three most common components of anesthesia: hypnosis, amnesia, and (an)algesia. Drugs and music-aided hypnosis were two of the most common methods use to treat emotional and surgical pain. This article identifies highlights in the development of concepts to treat pain in Greek mythology. The examples found in the Greek myths remind us of the historical significance of pain treatment.
Researches on the creation of Russian ophthalmological terms by Martin Il'ich Shein in 1750 caused semiotic investigations on universal female respectively lunar connotations of the eye as Latin pupilla--puppet, the small picture of an observer's person reflected by the cornea of another one face to face to him/her, Greek (see text)-- kore, which means girl, pupil and globe of the eye. Kore is the Minoan name of a spring goddess, called Greek Persephone as part of a triadic mother-goddess, in summer Demeter in autumn Hekate. Such goddesses are represented by the three enlighted main phases of the moon: full moon and both half moons. Its dark phase, new moon, is the fourth element of compressing 28 or 29 phases of a lunation to its least understandable numerical abstraction 4. Its mythologic meaning dead or underworld takes part in believing in cyclic renewing of life. The universal code 4 for moon contains a 5200 years old precuneiform Sumeric sign NAM2, shaped as 4-stepped ladder, representing Inanna of Uruk, which is phenomenically identic with the to-days Chinese sign mù (see text) for eye. The reason of this identity is founded on 370.000 old astronomic abstractions, drawn on beasts' bones by paleolithic men at Bilzingsleben (Thuringia). We may trace and estimate important facts in history--for example the transfer of the imperial role from the Byzantine emperors to Charles the Great by pope Leo III in 800--by such abstractions as semiotic tools, which have been used in mythological sources as Odyssey or in arts, as Pablo Picasso had done commenting cruel facts of World War II.
People with disabilities have, for the most part, failed to identify with each other as a group. This has been detrimental because it has built a sense of isolation when a camaraderie based upon existing commonalities could have been developed. During the past ten to twenty years, there has been a great deal of discussion about appropriate language to use when discussing disability issues. This discussion has been a part of a larger debate concerning the existence of a disability culture. I believe that there is indeed a disability culture and I am a proponent of identifying and passing on stories which contribute to that culture. I have chosen to use mythology to convey this message and have begun with a focus on heroes - people who do something out of the ordinary. It is contended that almost all people with disabilities have performed heroic activities because of the pervasive discrimination encountered by each individual with a disability. Creating a disability mythology is an attempt to recognize and promote heroes within the disabled community and to advocate the importance of telling other people how positive change has occurred through instances of individual heroism.
A sample of coitally experienced college females was utilized to explore the adequacy of several related beliefs that constitute the cultural mythology of female sexual initiation in American society and to identify possible correlates of the subjective experience of pain during women's first intercourse. The results were that a sizeable minority of the women reported experiencing no pain during their first intercourse, that other subjective reactions (pleasure, guilt, anxiety) were experienced at least as commonly as pain, and that many women acquired considerable noncoital sexual experience prior to their first intercourse. The experience of pain during first intercourse was found to be related directly to young age, conservative sexual values, an expectation of no pain, and negative affect. The report closes with a consideration of future research needs and the presentation of a tentative model of first coital pain in which noncoital sexual experience and qualities attributed to the male partner are projected as indirect influences on first coital pain.
Surveys suggest that, despite extensive scientific knowledge of the biologic rhythms and physical changes associated with reproduction and despite the availability of excellent educational material about sexuality including menstruation, young peoples' knowledge of reproductive physiology is inadequate. Superstitions, illogical beliefs, and misinterpretations are more common than accurate understanding. The present article reviews menstrual mythology and describes sources of information for young people. Family and specialist physicians as well as educators in school or in the community need to recognize the limitations of the present methods of sexuality education, must realize that understanding of reproductive processes may be very incomplete, and should be prepared to work cooperatively with informal sources of information (peers, parents, and commercial companies). In addition, menstrual education needs to move away from the focus on hygienic management to that of healthy sexuality and acceptance of self.
Suicide by revenge, the Samsonic suicide, and the suicide by devotio, all described in classical mythology and also reported in the ethnographic literature, belong to the same class of suicidal behaviors as kamikaze suicide and the suicide bombing attack: suicide to harass and burden others or suicide with a hostile intent. The lack of a social dimension to share in a positive manner may lead an individual to integrate him/herself in another social structure, e.g., a military organization, which allows the individual to express his/her desires and personal identity only by destroying others and themselves. The dynamics of these forms of suicide are also likely to work in other displays of life-threatening behavior, such as family annihilation, mass murder, and spree killing. A more thorough investigation of the dynamics operating in suicide bombing attacks could, therefore, contribute to preventative strategies against violence at large.
This paper is an interpretive analysis of the discourses within popular romance literature, with a particular focus on the genre that includes constructions of the images of nurses and nursing. An historical contrast is made along with examinations of the uses and meanings encompassed within this body of literature, and its messages for women as nurses as it reflects/creates societal change. Deviations from the formulaic nature of these works are explored. Discipline and passion are the recurring themes evident throughout in juxtapositions of romance and power differentials in the hospital/medical scene. The soft-core, sado-masochistic images evident in many titles are explored in a way that raises questions about sexuality, romance, nursing mythology, and the future of this sub-genre of the popular romance.
The study of Greek Mythology fully justifies Herophilus's phrase: "Medicines are the hands of Gods" (third cent. B.C.). A number of Gods are said to be the inventors of the drugs which are useful to men. Their names are still alive in the scholarly or popular appellations of a great many medicinal herbs. However, insofar as the action of a drug (of a Pharmakon) remains mysterious, one finds it in essentially female practices as well as in medicine. The study of these ancient beliefs, which have survived in spite of the progress of twentieth century science, can develop the history of epistemology of pharmacy by stimulating interdisciplinary research.
This article reviews the process of discovery of the nervous system from Pythagoras (570-500 BC) to Galen (130-201 AD). After Galen, no anatomical studies were performed before the renaissance. According to a legend, probably produced for political reasons, two brothers, sons of the French king Clovis II, revolted against their father and were sentenced to loose their physical powers by having the nerves of their arms and legs cut. They were then set adrift on the river Seine, stranding at the Jumiège monastery. The earliest written version of this legend stems from the fourteenth century; it was probably a part of the local French mythology. This indicates that the existence of the peripheral nervous system, and therefore also in part the knowledge contained in the early anatomical works, quite early may have been more or less known outside academic circles.
In any civilization, nature is closely bound to the world of divinities. This is clearly seen in the Mediterranean world of Antiquity in every reference to the medicinal plants. Our aim, in this study, was to demonstrate the link between mythology and medicine. Through several centuries of medicinal practice, appears a therapeutic knowledge close to become a science. In spite of many gaps, errors and illusions thus emerges a first attempt to master the art of healing. Is it possible to speculate on a new type of drug research guided from ancient texts? Ethnopharmacology investigating medicinal traditions of the world has already obtained in this field some spectacular findings. At the moment, it would be difficult to predict the future of archeopharmacology but as Paul Valery said: "Present is nothing else than a future nutriment for the past".
Impotence is not only a problem of modern society. Centuries ago man has sought for causes and remedies for impotence, originally looking much more outside himself rather than within himself. This article reviews and reflects on mythological, religious and cultural aspects of impotence, especially before the beginning of the 18th century.